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Tap That Ass White Boy

Studio: The Candy Shop » Review by Don Houston » Review Date: 11/30/06

XCritic's Advice: Recommended

Tap That Ass White Boy

The Candy Shop

Genre: Interracial

Director: Juan Cuba

Cast: Mone Divine, Mark Wood, Kapri Styles, Hypnotiq, Janae Foxx, Mr. Pete, Jada Fire, Alec Knight, Sinnamon Love, Manuel Ferrara, Steve Holmes, Pascal Saint James

Length: 157.5 minutes

Dates of Production: 6/11/2006, 6/12/2006, 6/19/2006, 6/20/2006, 6/25/2006

Extra's: The best extra, and a pretty solid one at that, was a 19.5 minute long Behind the Scenes feature (by Kristie Love again). There was extra sex, plenty of teasing nudity, and material from the photoshoot as well as kidding around. Some gals got more time than others but it provided a nice cross selection of BTS material. There was also a photogallery, a cumshot recap, and "website access".

Condoms: None

Audio/Video Quality: Tap That Ass White Boy was presented in the same 1.33:1 ratio full frame color it was shot in by director Juan Cuba for The Candy Shop to be distributed by Red Light District. The lighting was solid in most cases, leading to minimal grain and video noise. There could have been better fill lighting on the men at times but the dark skin tones of the ladies compared to the far lighter skin of the men was probably difficult for the director to get right, even with Kapri on lighting. Still, the composition of the shots was reasonably well done and that enhanced the look of the ladies in most cases that the emphasis wasn't on capturing a particular sex trick. The fleshtones were accurate in most cases and there were no compression artifacts observed during my viewing of the title. The audio was presented in a 2.0 Dolby Digital English but I heard no separation between the channels and some of the vocals were on the low side for me. Turning up the volume to hear portions better resulted in elevating background noises and hum so this is an area Juan can improve next time.

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Body of Review: Juan Cuba and The Candy Shop have not been a staple of my porn viewing diet of late, though I pick up the odd title or two as part of my reviewing hobby. Juan is slowly developing his own style and the company allows him to explore the wonders of ethnicity more thoroughly then he'd have been able to do otherwise with the main branch of the company at Red Light District. His latest movie for them is Tap That Ass White Boy, a series of scenes where women of color have sex with white men, a switch from the usual interracial efforts that are so popular these days (turnabout is fair play, yes?). The scenes had a lot of different little quirks but none of them was a filler for me, with a few being really solid in terms of all the factors I look for. If you're still interested, here's a quick look at them by cast and action, noting that no condoms were used:

Scene One: Mone Divine, the fleshy cutie on the upper right hand corner of the front cover, began the show wearing a blue fishnet body stocking over her thong as she climbed the stairs. She junk in the trunk was fetching and she had just enough baby fat on her frame to fill out her curves nicely as Mark Wood ogled her from up top. She teased a little and then offered herself to him, enjoying his oral skills more than a little bit as he snacked on her crack in preparation for screwing her. The standing fuck was pretty good as she was vocal and seemed receptive to his white rod poking her rapidly (her titties swaying back and forth). She did some PTM between positions and she rode him actively when given the chance. This led to the advertised anal, with her demanding he fuck her ass repeatedly as they copulated on the floor. This continued in multiple positions until he let loose his seed on her ass cheeks. It was a warm way to start the flick.

Scene Two: Kapri Styles (middle of the left hand side), Hypnotiq (second from the right on the bottom), and Mark Wood, were up next after the ladies showed their assets on the railing outside while being interviewed by Juan. This didn't last long and they went inside to the couch to service Mark orally; tag teaming his shaft as though cooperating with one another to share. Both provided a slightly different style, the slurping noises competing with the limited dirty talk before the ladies started taking turns riding him. The gals were louder as he "stabbed that pussy" and spanked them, the gals demanding he continue driving his cock deep inside them in various positions. The gals over acted during the anal even more then the vaginal acts but that was part of their style from the looks (and sounds) of it. It ended with a facial and cumswap, a mixed ride in terms of quality but not a terrible one.

Scene Three: Janae Foxx, the hotty with the fine ass on the lower right hand corner of the front cover, was up next as she walked around the pool outdoors on a sunny day in a blue satin bikini that was a few sizes too short for her, providing some nice butt munch and camel toe action for fans. While she definitely needed some time in the gym (much like I do), she had the kind of attitude towards sucking and fucking white boys that I wish a lot more women had these days. She claimed to be 19 years old and a lover of dick; giving new meaning to the concept of built for comfort over speed. She masturbated with her finger in her ass and was soon moving her show to the couch inside for a scene with Mr. Pete. He liked her pink pussy a lot and her ass even more, fingering both of them simultaneously before she slobbed his knob as though she had a hearty appetite. Her oral led to him screwing her hard, moving from pussy to ass before they switched positions to give her better access to actively ride him. Her ass rippled as they screwed and she tried to give up some dirty talk to enhance it but seemed too distracted before the scene ended with a titty pop and ATM to really kick it out with enthusiasm. She has a lot of untapped potential (though that was the only thing about her not thoroughly tapped this time) and it was a decent scene.

Scene Four: Jada Fire, the hardcore matron of urban porn seen on the lower left hand corner of the cover, was up next as she displayed why so many fans adore her. Her combination of attitude and casual sultriness added to her playfulness made her one of the best choices for the theme of the movie, with her body looking very fit compared to some of her older works. After some tease in the chair, she took on both Alec Knight and Mark Wood, sucking then in turn as they warmed her pussy up with some rubbing, spanking, and oral. They both screwed her two holes, starting off with her pussy, moving to anal, and then doing a DP. She aggressively worked both of them over with a sense of passion and it appeared to me that the scene was the longest of the bunch but not because it seemed overly lengthy. In all, it was a highlight of the action, elevating the heat of the entire movie all by itself, ending in a double facial and chest pop.

Scene Five: Sinnamon Love, the gal seen on the cover (second from the left), was up next as she engaged in sex with Manuel Ferrara, Steve Holmes, and Pascal Saint James, skipping any interview or tease. I don't like missing out on those things but in defense of the idea; she showed a lot of MILF action with the men as they drilled her three holes, not including some DP work. Okay, she wasn't as youthfully cute as some of the gals, or as fresh looking as others, but she seemed to throw herself into the action with a sense of abandon that many of her peers would do well to learn. It wasn't a perfectly shot scene but it did have a lot of raw energy and seemed like a perfect capper to the movie. It ended with the men popping lots of population pudding in her mouth as they stood about her, draining their nuts dry by the closing of the scene.

Summary: Tap That Ass White Boy by director Juan Cuba for The Candy Shop to be distributed by Red Light District was worthy of a rating of Recommended. The cast had a lot of differences in terms of age, experience, looks, and even sexual skill but the replay value, strokability, and fuck for the buck was such that this added to the mix of the movie. In short, Tap That Ass White Boy was a winner with only a few rough edges displayed in need of polishing up so I hope Juan continues to evolve and develop his style as he makes stroke flicks as good as this one.

You can email me with questions at Houstondon @ hotmail.com if you have any constructive criticism of the review too. :) Also you can follow me on twitter @HoustonDon

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