Audio/Video Quality: Ass Jazz 5 was presented in the original 1.33:1 ratio full frame color as shot by director Jazz Duro for release by Evil Angel as part of their Buttman Choice selection. I have really liked most of his work for them and was happy to pick this one up, noting that the raw energy usually beats out the technical expertise by a wide margin. This time, the lighting was a bit more off then usual with the camera angles often too heavily focused on POV action, even when it was clear that Jazz wasn't operating the equipment. I wasn't too keen on that approach being so common here as the angles did not favor the ladies when they were in action (it worked best for the admittedly pleasing tease portions). The fleshtones were tinted and the editing was weaker then usual, making me wonder if his assistant(s) took the day off when post production time came around. There were some compression artifacts and a few moments when the audio seemed to be out of synchronization but it wasn't the worst looking gonzo title I've seen of late. The audio was presented in a 2.0 Dolby Digital enhanced English with the ladies typically speaking a foreign language while Jazz spoke in his second language for the viewer. The ladies seemed to shy away from much dirty talk in all but a few cases, with the music and vocals sounding distinctly monaural but for the encoding signifying their stereo status.
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Body of Review: Jazz Duro and his recent work for Evil Angel has been one of the big success stories of 2006 in many ways. The man has the ability to convey heat on camera and finds some of the best booty the world has to offer for his scenes; making me wonder why he isn't directing under contract yet. His latest movie is Ass Jazz 5, the sequel to Ass Jazz 1, Ass Jazz 2, Ass Jazz 3, and Ass Jazz 4, where he travels the globe to search out the best ass he can provide for his show. The back cover said it like this: "Louise Mignon and Monica Mattos make out hotly (with check-to-cheek dildo-diddling). Monica is like a cheerleader, inspiring some feverish butt-reaming. Susana seems shy, but flashing and teasing from a moving car fires her up. An ass-porking and a face-fuck prove she's one vivacious backdoor tramp. Jazz finds Monica Santhiago suspended in a sex swing. He collars her with a dog choker, then nails her right below the cool barbed wire tattoo decorating her shapely rear. Flashy Britney shows off in a long outdoor tease segment and even takes a leak on camera. A heavy does of dick up the ass renders her breathless." In all, it was another volume worth checking out for fans of tease and anal antics, even if the last three scenes lacked some of the passion that has made the previous volumes so powerfully appealing to me. Here's a look at the scenes by cast and action, noting that no condoms were used:
Scene One: Monica Mattos, the hotty on the bottom of the front DVD cover getting anally planked, was up first with curvy cutie Louise Mignon, the gal on the upper part of the cover wearing a white fishnet top, as director Jazz Duro, watched them tease and please one another. If you like sultry Latinas, this pair of premium gals will be among the best you'll find with some heated energy complimented by the chemistry they shared together. I have long thought that playfulness between performers is important for the best scenes and these ladies had it in spades, elevating the value of the scene for me a lot (irrespective of my appreciation of Monica's recent works). There was a lot of spanking, dirty talk in their native tongue, oral, and more tease then almost any other modern director puts into a movie. The pants covered face sitting, the grunts and groans, and the use of ass stretching anal toys aside, Jazz didn't join them until over 30 minutes of lesbian action took place. As usual, he snacked on their cracks and got some fine head before banging them (mostly anally with ATM). The gals were active cock riders and the large bed barely contained their antics as they went at one another. It ended when he blew his load all over Monica (after getting his salad tossed of course) with the gals licking up the remaining spew at the one hour mark. Whew!
Scene Two: Susana, a shy 19 year old redhead in Budapest, was introduced to Jazz Duro by Steve Holmes in a very public square. They felt her up and showed she was wearing no panties as people walked by, with them getting in Steve's car to get back to the flat for fucking. She masturbated as they drove through town, Steve providing some historic tips as they went along. Her flimsy pink dress did little to hide her body but the tease session managed to show her ass was well rounded, if not as large as Jazz is used to tapping. Steve spanked her, used toys to stretch her ass, and got some head before he fucked her anal cavity hard; Jazz wanting in on the action more as time went by. After more work by Steve (primarily with toys), Jazz took over to get some deepthroat action, moving to replace her anal plug with his fleshy rod as he did most of the work. Her shy and passive nature was not my favorite style but she did seem a bit more active towards the ending anal work. The scene ended after the couch was all sweaty with the men both blowing out loads to her face.
Scene Three: Monica Santhiago, yet another brunette in fetish attire, was up next as she struggled to break free of her bonds established by Jazz Duro. Her black PVC skirt, matching fishnet top, and stripper shoes all conveyed the message that she was ready to rumble, with Steve wanting in but being told that this was Jazz's gal to play with. The tease consisted of her crawling and changing into some red shorts before drilling herself with toys. That led to some heated hummer action by the lady which was followed by him snacking on her crack as expected (he really enjoys eating ladies out, especially their ass). He fucked her pussy and ass with her doing taste testing in several positions, but she was largely passive while taking him inside of her. The scene really didn't last as long as the others though, probably because she was so tight, as evidenced by his comments and facial expressions. The pop shot went to her face and she appeared to swallow some of it down but the camera angle did little to establish that as a fact instead of heavily imply it.
Scene Four: Britney, a light haired blonde in tight black pants, was up last as she led Jazz Duro around on a leash in POV style. She dropped the leash to tease Jazz with her curvy ass in the outdoor courtyard, taking plenty of time as she worked him up very heatedly. This led to a lot of work with anal toys, stretching herself soundly to prepare for the arrival of his cock, with a short burst of piss that surprised me when she let loose the juice. For the complainers out there, it was a yellow stream and clearly urine, no matter what your belief in squirting but that led to her walking inside to the bed so she could suck his cock. It was more of a throatfuck then an active blowjob, but it served to get him hard for the penetrative portions of the scene. This was another time when he was doing most of the work, plugging her ass from behind several times before she sucked him clean with ATM. I was hoping for more from her although her looks really didn't jump out at me, and the ending load went to her face.
Summary: Ass Jazz 5 by director Jazz Duro for release by Evil Angel was a rare case of a Rent It for me. I admit that he often drives the scenes home in all of his movies but this time, most of the ladies seemed to be going through the motions far too readily for me to really appreciate as much as I usually do. In that sense, Ass Jazz 5 was almost like a weaker selection of cast off scenes from Ass Jazz 1, Ass Jazz 2, Ass Jazz 3, and Ass Jazz 4, with the sole exception of the first scene starring Monica Mattos. If you like foreign bred anal antics where the man is the dominant partner, you might like it more than I did but it did have great tease and some okay levels of fuck for the buck.
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