Audio/Video Quality: Real Racks 3 was presented in the usual 1.33:1 ratio full frame color it was shot in by director Chris Streams for release by 3rd Degree. The lighting was almost always handled nicely, limiting the grain and other visual flaws in the open settings of the house (in the living room for the most part) as well as outside. The composition of the shots was largely enhancing to the ladies as they diddled themselves or took on their partners with a very few spots in need of fill lighting but otherwise covering up most of their minor flaws. There were no compression artifacts and the fleshtones were very accurate, making this one visually appealing to me even if not the very best I've seen from Chris in the past. The compression rate hovered at and around the upper 6 Mbps mark though so I was pleased that this helped keep the visuals appealing. The 2.0 Dolby Digital English audio was in 192 kbps, and a bit more basic with no separation or major dynamic range but I could always hear what was said and the music didn't interfere with my viewing pleasure. For those who care, there was also the dubbed Spanish track but if you listen to it, don't say I didn't warn you that it was hilariously dubbed with vocals but no sound effects.
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Body of Review: Chris Streams has been a fixture at 3rd Degree for awhile now, coming in second to fellow director Mike Quasar in terms of technical excellence more often than not but well ahead of the others shooting for the company. His latest release is the titty oriented Real Racks 3, the sequel to Real Racks 2. The series uses women with natural breasts, often large ones, as the focal point for their gonzo scenes; running them through a formulaic approach that sometimes works better than others. This time, the technical aspects seemed to be solid but a few of the gals appeared far too mechanical in how they performed, and an established hotty served up an act that was below her usual quality level too. Still, if you like the general idea of gals with natural racks having some fun, there was some strokable footage here to enjoy. Here's a brief look at the scenes by cast and action, noting that no condoms were used:
Scene One: Babalu, a curvy blonde Brazilian with some junk in her trunk (and front), was up first as she teased the camera outside in the shaded area of the spot I saw her last time (the sandy beach area where the crew shot a lot of scenes south of the border). If you like all natural and large breasts, she's the type you'll appreciate as she playfully teased her bikini off to reveal her well worn goodies. Chris seemed to love her as he felt her up and captured the moment, soon having porn veteran David Perry provide the meat stick for her to work with. She gave an enthusiastic hummer but largely stuck to the tip of the rod, licking his balls and sucking on them before the titty fuck took place. It was short and served as a prelude to her active riding style, the faked moans weakening the scene for me but the fleshy ass cheeks rippling nicely when she was on top of him. She proved equally gifted in the anal portions of the scene and went back to titty fucking and sucking him before taking the inevitable chest pop but as much fun as she probably is in real life, the scene did not convey any sense of passion, heat or chemistry between them.
Scene Two: Jessica Moore, the busty cutie on the front cover, was up next wearing form enhancing lingerie that really looked good on her as she teased the camera. The loft setting was okay but the biggest weakness of the scene was the one that walked in to provide the meat in the form of Dillion Day. I've been impressed with his skills in the past and said a lot of good things about him but after his forced return from retirement, he seems to have become bitter and angry, acting too aggressively towards the women for some reason. To her credit, she sucked him off well enough and performed pretty well but this was another dud in terms of the dynamic between the pair. I admittedly liked the way her titties bounced as he drilled her but the scene came across as too mechanical for my tastes, the anal even proving to be quite passive. The population pudding went to her face and if I listed every detail about the scene, it would appear on the surface to be pretty decent sounding but it truly lacked compared to most of Chris' other work of late.
Scene Three: Sabrina Rose, a leaner gal with a modest sized rack and thin body, was up next as she strictly adhered to the established formula with some tease before taking care of David Perry and Dillion Day. The tease was too short before she was knob slobbing and bobbing on their rods, her oral skills reasonably aggressive as she alternated between the men. This led to her taking them one at a time and both at once (DP) in a moderately active manner. She worked best when one of them was in her mouth and the other tapping her pussy or ass, but this was a marked contrast to some of her previous scenes that fell far short of what I like to see so the improvement was not only obvious but appreciated as well. She even seemed to show some chemistry with the men once she warmed up so this became the turning point of the movie for me in terms of stroke value. It ended as expected with the gal taking their loads without flinching, making me appreciate the manner in which Chris got the best out of her this time.
Scene Four: Carol, a decent looking gal with some nice curves that looked real enough for me, was up next in her satin undies as she teased the camera in the generic living room. Chris took great pains to shoot from a low angle, enhancing the height and curves a bit, but aside from playing with her from behind the camera a bit, he left the heavy work to Franco Roccaforte this time. The guy looked like he had been on a diet of late and she seemed to find his large black cock well worth aggressively sucking, taking as much as she could in her mouth while she used her hand to work the rest of his massive shaft. She then employed some tease on him and the effect was nearly immediate in that he started rubbing her ass cheeks with his cock before drilling her cookie as hard as she could take it. The titty fuck was solid and her active riding style in varied positions made this another scene that took me by surprise; elevating the initial rating up from a skip it to a rental with the last one weighing in favor of my current favorite titty queen in porn.
Scene Five: Gianna, the well known titty queen gracing scores of movies these days, was up last and she was decked out in a neon yellow bikini with a black fishnet body stocking over it. She has long had the kind fo appeal I enjoy watching as her sheer playfulness makes for some great stroke worthy scenes. Having seen a lot of her though, the issue of how she could top all of her recent work or even hold steady with it came to mind. The tease was nice and the scene showed her in the living room with studly Mick Blue. I liked her opening titty fuck but the oral seemed weaker than usual. This was partially made up for by her active riding style that had her impaling her cookie on his cock but I never got a sense of chemistry between them. While the scene worked enough that I could use it a few times, it lacked the staying power of some of her other recent titles and as much as I adore her screen persona, I found myself wishing she had done a better job (maybe something went on during the shoot or she just doesn't like foreigners but something was holding her back a little here). The ending pop shot hit her breasts and face, closing out the movie to the credits.
Summary: Real Racks 3 by director Chris Streams for release by 3rd Degree was a bit tired compared to some of his other releases in recent months. Part of the problem was that some of the gals were simply not up to the quality levels the director tends to find for his movies and the other problem was that the formulaic approach did not always suit the gals with whom they were working. I wanted to like Real Racks 3 more than Real Racks 2, but in the end I found myself thinking that even trying really hard to like it, the best I could offer it with a clear conscience was a rating of Rent It. Give it a look and see what you think but even if you manage to toss a few loads with this one, it really didn't have the level of energy, passion, and chemistry that some of Chris' other titles have provided in the last few years.
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