Dana DeArmond is best known as an aging gonzo performer.
Cast: Tory Lane, Otto Bauer, Drehydren, Holly West, Seth Dickens, Dana DeArmond, Van Damage, Holly Wellin, Lee Stone, Jennifer Dark, Alex Gonz, Trevor Thompson
Length: 116:18 minutes
Holly Wellin showed some energy, unlike her male counterparts.
Date of Production: 11/9/2007
Extra's: The best extra was the 20:16 minute long Behind the Scenes feature where the ladies provided interviews, enjoyed talking about the movie, and showed more nudity. Dana was high strung with the cameraman (he gave her a backhanded compliment by saying she was the most interesting interview he had in a long time “for an ex-alcoholic fucking whore”) but the other women were quite pleasant during their moments in front of the camera. There was some nudity and discussion by the other production crew (and the meat puppets) but the ladies were clearly the focal point of the extra. There were trailers, a pop shot compilation from the movie, a photogallery, spam, and a very helpful Star Index that labeled the ladies.
Jennifer Dark never lived up to her past work here.
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Audio/Video Quality: Assploitations 9 was presented in 1.78:1 ratio anamorphic widescreen color as shot by director Tory Lane for Mayhem (with Jim Powers on camera). It was not among the best looking movies she has shot but still fairly well handled on the technical level with the lighting eliminating most grain, video noise, and other minor issues. I saw no compression artifacts (though the bitrate for the video was often well below 3 Mbps) but the flesh tones were not accurate, making most of the scenes look relatively weak by comparison to previous works of this type by Jim (the colors were overly saturated and the motion dehancement during the tease looked like shit). The audio was presented in a 2.0 Dolby Digital English (at a bitrate of 192 Kbps) and sounded similar to his other recent works; never straying too far from the formula he feels comfortable with. The vocals were hollow at times, rarely sounding properly captured for the movie.
Body of Review: Tory Lane is one of those gals that likes hard sex and appreciates her job as director for Mayhem almost as much as she enjoys cock. That’s why I picked up her latest directorial effort in Assploitations 9, the sequel to Assploitations 8. The five scenes had a lot of Tory participating even if she was the focal point in only one scene, still showing how into her work she can be during the assists she did. The back cover said it like this: “The young, gorgeous, and sizzling hot Dana DeArmond joins me and my dirty little girlfriends in the most outrageous display of anal debauchery ever witnessed. You will love watching my slutty ass whores as we fuck and suck, gulp down buckets of cum, and stuff giant throbbing fuck tools deep up our asses, pussies, and mouths until we're all completely soaked in load after load of steaming hot jizz, and our little rosy red bungholes have been jack hammered and stretched into wind whistling gapes that are as wide open as the Grand Canyon. Oh baby, I love this job! Enjoy! Tory Lane” If that sounds good to you, here’s a quick look at the scenes by cast and action, noting that no condoms were used:
Scene One: Tory Lane, the brunette bombshell, was up first as she teased in the bathtub; dripping lots of hot wax from a candle on herself before showing Otto Bauer and Drehydren exactly how prepared she was to take anything they had to offer and more. She was in the tub when they walked over with full erections, Tory sucking them off as if to elicit a quick load of population pudding from both of them. The over the top style oral was performance grade more than showing how much she liked giving pleasure, the slutty manner she blew them matched by the way she took them in her cookie & ass. The men pounded away at her in various positions, always favoring anal and rough action; occasionally slowing down to taste test or slob a knob while the other guy was tapping her ass. She was loud and employed a lot of dirty talk, relishing the DP’s given to her by the “man whores” she had in the scene. Otto was by far the better of the two men in terms of how well he wielded his meat, Tory eventually looking really worn before the men unloaded on her face.
Scene Two: Holly West, a curvy gal with a decent rack and nice ass, was up next in her metallic blue one piece outfit, a similarly dressed Tory Lane wearing a pink equivalent as she climbed over the couch to get some lesbian loving. The two ladies were having a ball when they were joined by Seth Dickens; the show between the ladies getting him ready for the blowjob they bestowed upon him. Try sat on his face and the ladies then took turns riding him in a moderately active manner, the taste testing going on at intervals when the ladies took a breather. As with the other scenes, the primary gal was the focal point so in this case Holly was the one taking the majority of the penis pulsing in her backdoor. Seth had some wood issues but she kept talking like he was something special, her vibrator keeping her interested as he regained his composure. Tory walked off for much of the scene until Seth bust a nut on Holly’s crotch for Tory to lick; swapping spit with her near the close of the scene.
Scene Three: Dana DeArmond, the gal featured on the front cover, was then up in garters and lace; her make up really thick as she teased and then moved over to suck off Van Damage’s damaged dick. Dana did not seem to care about the skin discolorations confronting her, using her stretched ass to take a technical DP after the oral she provided. Van isn’t all that large so I was curious why she was so passive for most of the scene but he went from one hole to the next with impunity (mouth, pussy, and ass) so it really didn’t matter to him from the looks of it. He stomped on her head and dropped the load into her mouth for cumswapping with Tory Lane; the scene one of the weaker ones for either woman that I’ve seen.
Scene Four: Holly Wellin, the leanest gal of the cast but probably the cutest too, was up next with the massive Lee Stone; the tease turning into him eating her out from behind. He really dove into her holes and stuffed multiple fingers inside of her, Holly reciprocating with a passionate hummer in the living room setting. It was a messy yet satisfying blowjob and she appeared to really like doing him in deep throat fashion; aggressively inhaling his cock until she provided an equally active ride on his cock inside her cookie. The anal came afterwards and was a lot more passive for her but introduction of Tory Lane as an assistant (Tory massaged Holly’s tits while Lee banged Holly’s ass) at the very end showed that both gals liked the taste of semen with Tory greedily taking the wad into her mouth for swapping.
Scene Five: Jenifer Dark, a lean foreigner with long black hair and a love of mesh/fishnets, was up last on the couch with Alex Gonz and Trevor Thompson. The tease was uninspired like the rest of the warm ups and the oral seemed to show she was proficient but only as a stopgap measure until a better porno comes along. Neither man was better than third tier status here and she alternated between them until it was time to start getting penetrated vaginally (then anally) from them. The majority of penetrative sex was in the form of a double penetration (DP) so she was too often passive in taking their meat, the rare glimpses into her potential reminding me of her better work elsewhere. The unintentional humor almost made up for it at times (“fuck me like a fucking Thanksgiving turkey” comes to mind) but this was clock watcher porn to me and I wanted more than I got. The sperm went to her face and she did not flinch but like the majority of sex in the movie; it was “churn them out” gonzo without any replay value for me.
Summary: Assploitations 9 by director Tory Lane for Mayhem was among the weakest releases in the series that I have seen in a long time; the technical matters reasonably well handled but the raw energy and passion lacking almost all the time. There were some saving moments to the fuck flick but just as the cover misleads about the running time, the quality of the fuck for the buck was on the low end most of the time so I was generous in rating it as a Rent It. In short, Assploitations 9 was weaker than Assploitations 8 as much for the resulting lack of passion and chemistry as the mechanical manner in which the performers went at it so check this one out before dropping your dough.
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