Audio/Video Quality: Big Butt Slutz 4 was presented in the original 1.33:1 ratio full frame color as shot by director Jazz Duro for release by Evil Angel as the latest part of their Buttman Choice selection. I have really liked most of his work for them and was happy to pick this one up too, noting that the raw energy usually beats out the technical expertise by a wide margin (and Jazz had only dropped the ball significantly once or twice in the past; a solid track record these days). This time, the lighting was again a bit more off then usual with the camera angles often too heavily focused on POV action, even when it was clear that Jazz wasn't operating the equipment. I wasn't too keen on that approach being so common here as the angles did not favor the ladies when they were in action (it worked best for the admittedly pleasing tease portions). The fleshtones were tinted and the editing was weaker then usual, making me wonder if his assistant(s) took the day off when post production time came around. There were some compression artifacts and the bitrate for the video ranged from the mid 2 Mbps to the mid 3 Mbps (on the low side); resulting in mediocre visuals at times when the lighting wasn't quite right. The audio was presented in 2.0 Dolby Digital enhanced English (standard 192 Kbps bitrate) with the ladies typically using some dirty talk to elevate the heat of the scenes. The ladies seemed to shy away from too much dirty talk though, with the music and vocals sounding distinctly monaural but for the encoding signifying their stereo status.
Body of Review: Jazz Duro has proven to be one of the surprise hits for me with his work as a director at Evil Angel in recent times. I know that Mr. Stagliano only hires quality acts that show a lot of potential but Jazz seems able to bring something back to porn that many of his peers have discarded over the years; desire! It's not just that he likes women and sex but he adores asses, preferably the kind built for comfort over speed, so I was pleased when Big Butt Slutz 4, the sequel to Big Butt Slutz 3, came in for review a few days ago. As with other ventures in the series, Jazz went out of his way to provide some of the biggest asses on shapely gals that he could muster in his travels to Brazil, coming up with a wealth of heated action as a result. The company advertises the show like this: "Maybe the best thing about the Jazz Duro Brazilian movies (Big Butt Slutz, Ass Jazz) is his ability to consistently get the best, new Brazilian girls. This movie is a prime example of this. In scene 1, we have two new Brazilian girls, big titted, natural, Lorena and Patricia, both of whom do anal with toys and a stud. Scene 2 is a hot pick up scene with Amanda, who does a long anal toy tease then an anal scene with Roge. Scene 3 brings us a new girl who fucks Yuri. Scene 4 puts Babalu together with Wesley in a long anal toy tease, face sitting torture session, and an anal fucking with big-cocked Wesley." If that sounds good to you, here's a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Lorena Dinez (on the left hand side of the cover) and Patricia Bombom, both curvy brunettes from far south of the border, were up first in a lengthy scene using Roge and Jazz Duro as their meat puppets. As with previous titles in the series, the ladies spoke their native tongue as Jazz directed them to play with one another, the caressing, kissing, and ass licking only part of their nasty repertoire. At first I was going to label them as gay for pay but the gals warmed up nicely with some ministrations of sexual skill, losing themselves in the action before long at all. They never completely convinced me they were as happy with the biscuit as with the rod but it was pretty warm the way they bumped, grinded, and spanked one another for the intrusive camera. The use of toys was not as plentiful as in many of the series' previous scenes either but the gals seemed to be learning OTJ (on the job) so that elevated the dynamic a bit too. Roge looked a little effeminate as he jumped in around the 23 minute mark, the guy doing a weak job of the oral on the ladies but anally tapping them better than expected too. The ladies were not the most active of riders in the scene, showing more potential in the oral antics by far, but by the time they took his facial, the sexual ambiguity of the guy was less of an issue. The population pudding was rubbed out to their faces and then Jazz gave them a second helping, thanks to a POV hummer and titty fuck; making me wish he was used more in the scene.
Scene Two: Amanda, the brunette seen on the upper right hand corner of the cover, was up next as the stand in for a gal that flaked, Roge and Jazz picking her up along the street as they drove around. Their extended conversation was in their native tongue, the gal flashing them as the car drove along the street to show her assets. This was another gal built for comfort over speed but also attractive enough in the face and not fat by any reasonable stretch of the imagination. She followed her orders as the camera spent much of the tease by watching her ass in play, the next door neighbor's music just loud enough to merit negative attention. Amanda was no stranger to anal antics given her aptitude with the ass; the glass toy stretching her out for play by the moper Roge as Jazz sat this one out. She showed some skill with the oral moments of the scene but the anal once again showed that she was a long way from providing a truly active ride on a consistent basis. I'd like to see more of her performing in the future but at least she ended the scene by draining his balls dry with a handjob/hummer that resulted in a moderate amount of semen flying all over her face and torso.
Scene Three: Juliana, the light haired cutie seen in blue on the middle of the cover, was up next as she got all made up to shoot her scene with Yuri. The scenario was set to show her seducing Yuri, a crew member, on the video shoot; her fabulous fanny teasing the camera a whole lot before tackling her challenge of the day. Unlike the other men in the movie, he spent a lot of time sucking ass here, savoring the taste before boning her like he owned her. For her part, she was relatively passive during the ride so it was not as much fun as it should have been, her sweet cheeks enough to make even a tease-only scene worth watching as far as I was concerned. The scene appeared to be the shortest of the bunch with him popping his load too quick, losing his breath before his load of semen though the gal in need of some more experience.
Scene Four: Babalu, the curvy gal featured on the lower right hand corner of the front cover, was up last to provide some of the quality I knew from past experiences that she could provide. Her fishnet stockings, seductive demeanor, and slutty appeal were not lost on me as I watched her use her assets to full effect; even pulling out some toys early to elevate the heat levels. Her main partner for the scene was Wesley Wike, with Jazz Duro assisting as needed. I don't know exactly what was discussed by the performers here but it was probably sexual in nature given the way she then dominated Wesley using her ample sample of a body. Sexually, all three of her openings were worked to the max and she did a technical DP with the toy and Wesley, his wad of sperm gracing her ass before Jazz gave her some extra topping to finish things up. In terms of sexually aggressive behavior by a gal, Babalu was the top of the food chain here in the movie; words not sufficing to spell out exactly what made her appear to be so driven thanks in part to the language barrier but whatever it was, she excelled. Whew!
Summary: Big Butt Slutz 4 by director Jazz Duro for Evil Angel had a lot of tease and some great big asses on physically appealing Latinas but only Babalu really served up the goods as well as anticipated so the rating was a decent Rent It; the amount of frisky frauleins not enough to merit a better score. Still, Big Butt Slutz 4 was often a fair sequel to Big Butt Slutz 3 so if you are okay with the mediocre technical matters, the pretty decent extras, and some lukewarm women, give this one a look.
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