Cast: Annette Schwarz, Kimberly Kane, Steve Holmes, Manuel Ferrara, Ace, Brock Adams, John Q., Ice Cold, Ray Black, Wade Hardman, Prodigy X, King James, Tee Dubbs, Jermaine Jacks, Brandon Iron, Voodoo
Annette Schwarz with Brandon Iron
Length: 201:23 minutes
Date of Production: 3/15/2008
Annette Schwarz with Voodoo
Extras: With the movie so lengthy and space limited to a single disc, the extras were tacked on for the most part, starting with a 7:35 minute long Behind the Scenes feature. It was fun but focused so much on Kimberly Kane's part of the movie that other scenes were lacking (so nasty bruises on Voodoo and Annette towards the end by the way). There was an audio version of a Director Interview with Mason by a guy named Tony (didn't catch his last name) lasting 13:07 where Mason spoke about how the movie came about. While I liked the nudity and sex of the BTS, I found a lot to like with this extra too. There was also a photogallery, some spam, and advertising on the second side of the DVD cover.
Audio/Video Quality: Annette Schwarz is Slutwoman 2 was presented in the usual 1.33:1 ratio full frame color as shot by director Mason for Elegant Angel. The camera work was solid with plentiful lighting to eliminate grain, video noise and shadows and the picture appeared to be crisp this time. Mason has made or assisted on a number of titles over the years, the technical matters taking back seat (pun intended) to the raw energy of the sex, so it was nice to see her improving her game in the visuals. I saw no compression artifacts (it was largely falling around the mid 4 Mbps video bitrate; on the low end but probably needed given the amount of material on the DVD) and the composition of the camera angles strongly favored the female performers as most of her work these days tends to do. The 2.0 Dolby Digital English track was pretty basic with little separation or dynamic range yet I could hear the cast well enough in most cases. For those keeping track, the audio was offered in a 192 Kbps offering, plenty of room considering how little took place on it but leaving room for future efforts too.
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Body of Review: Mason is currently known as the most talented female director at Elegant Angel for her nasty gonzo releases. Exactly where the inspirations for her scenes come from has never been made clear to me but I can say that the fact that Mason makes such a limited volume of movies certainly helps her from falling into the trap most of her peers in the industry have been prey too; the need to churn out a set number of works to pay the bills rather than embrace making smutty fuck flicks as Mason prefers. Her latest release is Annette Schwarz is Slutwoman 2, the sequel to the well liked Annette Schwarz is Slutwoman 1 that caused such an uproar last year. Annette Schwarz is the heir apparent to the throne of anal queen in porn now that Sandra Romain has retired and Belladonna limits herself to her own movies. Her success in the last year is largely due to the way she enjoys the most decadent of sexual expressions in her performances, coming from Germany and a history of outlandish fetish work overseas helping propel her into the limelight in America. The back cover said it like this: "Take a journey into the psychological depravity of one of porn's greatest ever performers, Annette Schwarz is Slutwoman Vol. 2, is a dark and powerful three hour viewing experience that will leave you gasping for air, and yet, still wanting more. Watch as Annette and Kimberly Kane voraciously worship the giant cock of Steve Holmes. Also, see the scene that started it all, as Annette and award-winning director Mason (Dirty Trixxx, Lady Fellatio), shoot together for the very first time. You will rarely encounter a movie as dramatic and as powerful as this one. You will never encounter anyone quite like Annette Schwarz." Here's a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Hear Me Roar: Annette Schwarz, the sexy blond German anal queen showcased on the front cover, was up first as she made out in the liftgate elevator with scantily clad Kimberly Kane; both ladies wearing black lingerie that left little to the imagination as they macked out. Kimberly was particularly aggressive and Annette reflected this back her way, spending some oral time with each other in what I wouldn't even consider a "lipstick lesbian" approach to what they were doing. They needed more room so they piled out into the empty room, lit by a lot of light pouring into the place, where they started up again on the hardwood floor. They simply couldn't get enough of one another, particularly their asses, the analingus dominating the action with nods to titty play and foot fetish along the way. Then, about 14 minutes into the movie, Steve Holmes joined them to provide a meat stick; the ladies actively sucking him off in turns with Annette getting the most of it. They tossed his salad too, a whole lot by the way, before he began boning them really hard (the gals actively fucking back too). Annette then gave a very believable fingering act that got her extremely wet (not a piss show either) with Steve drilling her ass as Kimberly restrained her. Kimberly then enjoyed the vaginal sex as much as Annette took to the anal, getting in on some back door action too. An industrial sized vibrator came out and they continued to screw, Annette jerking him off to their faces where Kimberly fought for her share in a cumswap act of aggression. Whew!
Scene Two: Room 202: Annette Schwarz, was up next in a car at night, traveling along where she had a soliloquy about what she wanted out of porn. The scene cut away to her in bed naked, smoking a cigarette, waxing philosophic about sex without any sheets between her and the mattress. The setting changed and the lights came on to reveal her becoming the love slave of studly Manuel Ferrara; the guy pushing her limits by applying nipple torture, bending her head back, spanking her hard, and shoving her into the bed as he had his way with her. Sexually, this was another no holds barred scene too as he restrained her face, tossed her around, and made her suck his cock, feet, and ass but also take his full length in her mouth, pussy, and especially ass. He went down on her too but it was not your typical, relatively romantic, porn setting either as they fucked like bunnies; both of them getting off on what was taking place. Mason is really good at finding performers that enjoy this kind of thing and while it didn't work much for me, I cannot deny that there was a lot of chemistry taking place this time. He dropped a load of population pudding on the mattress for Annette to lick up, the gal getting off using his hand just prior.
Scene Three: Field Trip: Annette Schwarz, up next in a pink top and black skirt, showed how she took a power piss in the Elegant Angel bathroom by squatting over the toilet and pushing out the fluids inside her as hard as she could. I know that at least a few of you out there would probably insult out intelligence to say she was "squirting" but there was not even an attempt to suggest this was what she was doing; Annette talking to Mason before walking down the street. Annette flashed the public a bit as she continued to walk, eventually coming across an alley where nine black guys were standing; the cast list including Ace, Brock Adams, John Q., Ice Cold, Ray Black, Wade Hardman, Prodigy X, King James, Tee Dubbs, and Jermaine Jacks (I know there are ten names). She started sucking them off in the graffiti filled setting, Annette easily at home with men of any color. The men were then lined up for Annette to rim, tossing their salad in an act that made more than a few of them uncomfortable. While the emphasis was clearly on the blowbang, Annette also took their cocks in her pussy and ass, sucking while being fucked to the catcalls of the men. There was no chemistry here but as a display of sexual athleticism, Annette gave a solid performance, the anti-eroticism of the men verbally abusing the "fucking bitch" weakening the scene for me just as it might make it better for some of you. She then took the ending facials and played with them like ice cream, swallowing much of it for your home viewing pleasure.
Scene Four: Fate: Annette Schwarz, up next in her first scene for the director from March 2006 (it being billed as a "lost scene") as well as her first scene with Brandon Iron. This made it special for her as she followed his dominant lead in a "flight club" scenario that took place in an aircraft hanger. She was made to lick his boots and worship his cock, the guy slapping her around in between the acts. Brandon can get really rough and this scene was proof positive that he liked doing so, Annette finding an appeal to the hardcore action more than I could. She was leaner than now and paid tribute to the cock in a driven manner, the power sucking leading to a similar dynamic in the fucking portion of the scene, and more BDSM themes arose (him stepping on her head, the salad tossing, hair tossing, and spanking with the warning label). There were planes taking off and landing all around them (you could hear them, not see them) and the scene was again a bit much for my tastes where a little rough stuff goes a very long way, but Brandon fucked her hard as she begged him to do, the gal sucking the semen right out of his nuts to land on her face.
Scene Five: Dear Valentine: Annette Schwarz, back in the car to introduce the final scene, lamented that fans don't always believe she answers her own emails (and that the settings of her movies aren't always real), finished up with a scene shot on 2/14/2008 (Valentine's Day) with Voodoo. She claimed to not know what was going to happen and to be frank, I associate the guy more with his work at feature companies and working with his wife, so seeing him in a very long scene with Annette was a surprise. Annette was wearing a hot black dress when an emotional Mason gave her a silver wrapped present that caused both of them to weep a few female tears. The present was a multicolored dress with a price tag still attached, that led to more tears flowing as they shared their feelings. Voodoo then entered with a giant bouquet of roses while wearing a suit and looking more professional than usual, some kissing leading to her slobbing his knob in a loving manner. The transference of energy to her sexual performance seemed apparent and I enjoyed this dynamic a lot, the couple fucking in short order with her ass cheeks rippling nicely. Voodoo looked totally beaten up with huge bruises that even his tan couldn't cover up but he was driven to plow her pussy and ass harder than her mouth. Annette loved the straightforward sex too, doing some taste testing along the way, though the foot to her head weakened it for me as it did in prior scenes. The roughness here was not as abrasive as the former scene though and the majority of it showed some chemistry that I could appreciate, even if the choking and hair pulling making her face change colors. Voodoo's wad was plentiful and Annette gave some serious post coital sucking, savoring the taste of his semen a whole lot.
Summary: Annette Schwarz is Slutwoman 2 by director Mason for Elegant Angel was definitely a showcase for the darker side of Annette Schwarz and her fans should consider this a "must have" effort but the rough edges and dedication to rough weakened it for my tastes so the best I could rate it was as Recommended. The amount of fuck for the buck, the stroke value, and replayability will widely vary depending on how much you like seeing the German anal queen abused but I think Mason was gearing this for a truly jaded audience more than a general porn loving crowd so your mileage may vary considerably. In short, Annette Schwarz is Slutwoman 2 was not as good as Annette Schwarz is Slutwoman 1 in some ways unless you like seeing a gal with steep limits getting pushed even further into decadence than usual so check this one out with one eye open.
---- You can email me with questions at Houstondon @ hotmail.com if you have any constructive criticism of the review too. :) Also you can follow me on twitter @HoustonDon