Audio/Video Quality: Tunnel Vision 3 was presented in 1.33:1 full frame color as the movie was shot in by director Jules Jordan for Jules Jordan Video. There was some variation in the lighting that added a bit of addition grain but I saw few other issues as the camera kept an active stance at providing the best POV (point of view) angles to showcase the ladies; admittedly limited in what he could offer due to the nature of any POV offering. The editing helped in this endeavor too with a movie as long as this one needing extra care to make sure that there is enough tease but also heated sexual antics. The bitrate was occasionally on the low side yet there were no observed compression artifacts, the aliasing minimal and given the sheer amount of quality poon here, it would take massive balls to whine about it (the bitrate hovering all over the place this time, typically in the mid 4.5 Mbps range but all across the board depending on the scene). The audio was presented in a 2.0 Dolby Digital English (at 192 Kbps) offering that really didn't use any separation in terms of the vocals (there was some potential to do so here too). The dynamic range was also kind of generic, an area that seemed slightly better than previous efforts and an area that Jules could easily improve to make best use of the great many home theaters in the hands of porn fans everywhere.
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Body of Review: Jules Jordan is often considered the top gonzo director these days and his work for Jules Jordan Video always reflects giving the consumer more fuck for the buck with his double disc sets standard operating procedure these days. I don't know about you, but I appreciate getting several hours of quality footage, especially since he has the gals dress up in sexy outfits and offer up a lot of tease most of the time (another of his trademarks) so it was with great anticipation that I picked up Tunnel Vision 3: Special Edition from the screener pool recently. The idea of the series is to provide a set of point of view (POV) scenes that allow the viewer to imagine it is them getting blown and fucking the babes, this time getting a full eight scenes with a widely diverse cast to appreciate. I', not the biggest POV fan out there but I appreciate quality when I see it, preferring not to over analyze the specifics too much but not let readers down with a generalized "pass" either. There was a lot to like this time and the overall quality of the footage was enough to heartily suggest it to anyone into the genre, but you can get more detail by reading below. Here's a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Sunny Lane, the popular babe featured on the center of the front cover, was up first as she shook her money maker for Jules Jordan; taunting him as though she'd be giving up her ass to him even though she has only just started doing that (and not here!). Her purple satin booty shorts enhanced her fleshy backside and the white mesh top didn't hurt either, the frisky gal a delight to watch as she walked through the house with the camera following her. To me, the tease often makes the scene the most enjoyable and while Sunny's cocksucking skills were very much appreciated, I still think the tease was better; though in real life I'm sure that would be reversed. She inhaled Jules' cock aggressively as he shot the POV scene, Sunny titty fucking him a bit, rubbing herself lap dance style on him and otherwise applying different sorts of friction to enhance the mood. I was surprised when he handed off the camera to her, keeping a POV angle, just now with Jules eating her out as the focal point. Sunny was an active vaginal ride in all positions too, making this a great scene to begin with, Jules launching a large load of population pudding onto her face before she engaged in post coital sucking (a bunch of semen coating her eye lid). Whew!
Scene Two: Nadia Styles, the very cute gal seen on the upper right hand corner of the cover, was up next and to say her longevity in the business is strictly a result of her appearance is probably unfair because her seductive nature also makes her a gal you want to fuck. She wore all black clothing that offered a delightful look at her lean figure, Nadia giving plenty of service to the tease as she played so well with herself. As much fun as she had by herself though, she enjoyed sucking off Mario Cassini even more; his style a contrast with Jules' by the way he keeps quiet (a lot of people prefer that, especially in a point of view title). Nadia has always been an adorable young lady to me and while I don't fawn over her at the shows, I always get the sense that she enjoys what she does and likes making people happy. Given how turgid Mario's cock became so quickly here, this dynamic was played out yet again with her ample oral experience coming into play. The titty fucking was fun too, as was her active vaginal riding (note though, the scene gave the appearance of two cameras using different settings; a minor pain but one that bugged me). Watching her ass cheeks ripple was enough to get me ready for some hand to gland combat though I held off in order to fairly review the others here too. The anal showed her slowing down but she did become quite loud and soon regaining her active manner, the lengthy rod going far deeper than one would expect as she yelled out "fuck me". The tint issues aside, it was also an enjoyable scene, one of her very best to date, and ended when she took matters into her own hands to jerk him off to her face. Sweet!
Scene Three: Veronica Lynn, the lean Asian seen on the middle of the right hand side of the cover, was up next with Jules Jordan as she snuck up under his desk to blow him while he tried to edit a scene on his computer. The relative lack of tease hampered the impact of her appearance for me but her black mesh top and matching attire didn't hurt her visual appeal. She took to his penis right away and gave him an active hummer, jerking him off as a side line and moving quickly to the various vaginal positions. She was active in each of them and resulted in a big wad of spew to her face but the scene lacked any chemistry for me. Still, the enthusiastic gal earned a nod for keeping going, and providing a great ride along the way.
Scene Four: Tia Tanaka, the busty little Asian gal seen on the lower left hand corner of the cover, was up next as the last scene of the first disc. Her tease consisted mainly of removing her sexy little outfit too quickly, the camera too close to follow her movements effectively before she masturbated. Her partner this time was Mario Cassini and she rubbed his prick through his pants, eliciting the expected erection for a blowjob, the slowness of it contrasting with most of the other gals here. She made passing attempts at being playful here, succeeding more often than not as a result, soon getting vaginally pounded by Mario as she spread her legs for greater access. For his part, he teased her a number of times too, getting her to beg for more and up her game a bit as she tried to be more active than usual. She was cute throughout the scene and added some value but it was not her best work to date, even if Mario's busting a nut on her face struck me as pretty healthy.
Scene Five: Lela Star, the hotty featured on the lower right hand corner of the cover, was up next as the first scene on the second disc; my belief that Jules knew to put another strong player in this spot much like he fashions his covers (the larger and more prominent the picture, the more appeal he considers a performer or her scene to be). The outdoor tease in black lingerie led to her prancing up to the bedroom where she slowly undressed, Mario Cassini whispering to her how much he liked her. Lela sometimes strikes me as a cold, distant performer that is only out to collect a buck except in her very best scenes so I was pleased to note she seemed to be in a very good mood this day; either really liking Mario or simply displaying a need for seed. She was especially seductive and the tease led to the solo act that led in turn to her sucking Mario with a great degree of vigor. She unzipped his fly and savored the experience too, showing she was into the moment (or up for an award); generating a lot of suction as she went at it. Using her hands to enhance the moment, Lela deepthroated him, rubbed herself on him, and jerked him off too as if to milk him dry far earlier than usual but keeping eye contact all the while. The camera was all over her too, showing how dripping wet she got and how the scene was making her react; starting off slowly but steadily building a tempo into a frenzy of fucking. The hip grinding didn't hurt either and only her occasionally over the top vocals weakened the action for me in the slightest, the scene very well done overall with Lela taking the nut to her face as expected. Nice!
Scene Six: Velicity Von, the curvy blond seen dead center on the cover, was up next as she teased outside in her sweet white dress. The natural lighting worked very well on her body, the fleshy vixen offering a stark contrast to some of the skinnier gals of the movie. She was friendly and outgoing, maintaining eye contact with the camera to elevate the appeal of the scene. The oiled up titty bit was hot too, her dirty talk exchange with Mario Cassini leading to the couple taking the show inside (the guy following her ass in close up to my appreciation). I really liked the way she slobbed his knob too, taking intermittent breaks to punctuate the scene with more dirty talk as befitting her porn persona, the wealth of oral footage leading to a very active vaginal ride. She was at her best when riding the cock on top of his body rather than in the more passive positions but it was a second titty fuck that drained his balls dry before she provided some heated post coital sucking. Their personal chemistry appeared to be quite high and the result was a fine scene with a lot of replay value and strokability. Yes!
Scene Seven: Lacey DuValle, the light skinned black gal on the middle of the left side of the cover, was up next and her outfit left little to the imagination (shown on the front cover sans the clear plastic skirt) and stripper shoes). Her tease session seemed less polished than most in the movie but I couldn't deny that her physical appeal was used fairly well. Enhancing her looks was the verbal begging she provided in order to suck the cock of Mario Cassini; stroking him through his pants as she outlined what she wanted to do to him. He started off flaccid but she revived him in little time, showing some superior oral skills worthy of admiration. I know some people like to belittle performers for their career paths but frankly, my opinion is that they either aren't getting any themselves or are unable to appreciate a skilled lady doing what most people can't do with any degree of talent; which is one of the reasons I rate performances like I would Olympic athletes or mainstream actresses in challenging roles (and no, not all blowjobs are alike). She provided the messy hummer as if seeking an early release of population pudding, rubbing his dick with her chest before showing one of her best vaginal rides to date. Even in doggy, she pushed back with enthusiasm, the over the top vocals the only impediment to making it her best work ever. The scene ended when she rubbed out his load into her mouth, the quick edit failing to show where it went but still, it was a happy scene.
Scene Eight: Sara Stone, the busty babe seen on the upper left hand corner of the front cover, was up last in her white lingerie, using her "nice big tits" and pretty eyes to full effect as she verbally coaxed Mario Cassini to appreciate the treasure he was about to receive. Sara looked like she lost some weight but was still offering up some great curves, her look of surprise at Mario's rod as she unsheathed it from his pants a big plus. The blowjob itself was teasing and playful, some verbal cues acting to enhance the moment. It was a slow and seductive hummer too, Sara telling the world how good the cock tasted and how much she wanted to wrap her lips around it. As the scene progressed, Sara increased the tempo too, taking charge of the scene in ways that kept her imminently watchable. The titty fuck was probably the most developed of the movie too, Sara using her ample breasts to take a break from blowing him by spanking her titties. Her vaginal ride was much the same way too, increasingly fast as she got into the spirit of the moment. By the time they got to doing missionary, her breasts were heaving really well and her verbal banter was far better than the generic moaning some of the others provided. The scene finished up with a titty fuck pop, the wad of spew landing below her neck for the most part and Sara waving goodbye. Whoa!
Summary: Tunnel Vision 3 by director Jules Jordan for Jules Jordan Video had a wealth of diverse hotties and catered to the advertised POV action very nicely indeed. The casting was much like the sex in that not all the gals were perfectly suited for the flick but the overwhelming sense of enthusiasm and passion on average lent itself to rating this one as Highly Recommended for gonzo fans, raincoaters, and those that enjoy POV styled fuck flicks. In short, Tunnel Vision 3: Special Edition might not have been the very best movie released by Jules this year but it was head & shoulders above most works by his peers in the genre so pick up a copy and you'll be happily pleasing yourself for a very long time; even with the Behind the Scenes feature providing additional thrills (like Sunny's footjob).
---- You can email me with questions at Houstondon @ hotmail.com if you have any constructive criticism of the review too. :) Also you can follow me on twitter @HoustonDon