Cast: Alanah Rae, Jenner, Kirra Lynne, Alexis Breeze, John Strong, London Keyes, Alex Gonz, Phoenix Marie, Bridgette B., Mark Wood
Length: 128:10 minutes
Date of Production: 11/25/2008
Extras: There was a 11:24 minute long Behind the Scenes feature but it was too short to provide any background other than some photoshoot material and minimal tease for the most part. There was also a photogallery and a cumshot recap but that was it outside of the true double sided DVD cover and slipcase.
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Audio/Video Quality: Ass For Days 7 was presented in a very appealing 1.78:1 ratio anamorphic widescreen color as shot by director Gregg Alan for Diabolic in the MPEG-2 codec with 480i resolution as used by standard definition releases everywhere. The lighting was almost always decent; optimal on the bodies as it limited the grain, video noise, and shadows other productions seem unable to get rid of far too often; but the visuals were not perfect either. The composition of the shots weren't always completely flattering to the ladies but at least there was rarely any doubt about what was going on and where it was going; given the quality of the cast, this made it more enjoyable too. The fleshtones were generally accurate and the bitrate hovered in the mid 4.4 Mbps area so it looked very appealing in most ways to my jaded porn hound eyes. There were no compression artifacts and the visuals were generally handled pretty well here too for those that care about the nitty gritty details. The audio was presented in a 1.0 Dolby Digital English using the standard 192 Kbps bitrate and 48 kHz sampling rate. The music was generic but the vocals; while plain as could be, could be heard in almost all cases; only slightly hollow at times when the ladies were making it clear their limits were being pushed. There was no separation here given that it was a monaural track and the dynamic range was limited too but I had no issues with the audio this time.
Body of Review: Gregg Alan is more than just a director at Diabolic but considering my role in reviewing, I really don't care about that. From my point of view, he is a guy with a decent eye for shooting the ladies on video and conveying some of their relative strengths in the form of movies. This does not mean he is perfect, far from it, but he does provide some of the best casting for his releases you will find at the company and a few of the series he is in charge of are among my favorites. I picked up a few older titles last week and one happened to be Ass For Days 7, a selection of five scenes with six women all reportedly possessing well rounded rumps. The gals included popular Phoenix Marie, Kirra Lynne, Lonodn Keyes, and others so I figured it would be a strokably good time. The company website advertised this one like this: "If you like your ass with class and your sluts with perfect butts - you'll love the ass-slamming action of Ass For Days 7. The naughty and nasty nymphs aren't one trick ponies, however, as they'll suck and fuck you before they let you work your rectal magic. Then, when you're ready to explode ... and they're beggin' for your load ... the cock-craving cuties, with their welcoming booties will squeeze your gigantic pole, into their tight ass holes." Here's a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Alanah Rae, a curvy blond with a sweet looking ass, was up first as she teased with her ass cheeks hovering over the edge of an ottoman. Her thong rode her ass crack deeply and she was assisted by Jenner, the man fingering and feeding her some of her own juices. She shook her ass for him and he ate her a bit, preferring to penetrate her pussy with his pecker instead. She was not initially active but she lit up when it came time to inhale his cock orally, bouncing on his cock after that. They both rubbed her clitoris after a time and he eventually popped on her ass cheek, some of it going inside of her as a creampie. Despite claims made on the company website, there was no anal here (or in most scenes).
Scene Two: Kirra Lynne, a girl next door type with light hair, and brunette hotty Alexis Breeze, were up next with studly John Strong, beginning with some bikini tease before moving to the gals sharing his rod playfully. The knob slobbing fun was messy but satisfying, some lesbian licking going on as he pounded pussy on the other. The modest amount of lesbian action was enough to enhance the scene and the chemistry between the gals was only slightly higher than that shared with John. The ladies actively rode his cock vaginally and the camera work, while still too close for comfort at times, was a marked improvement over some of the director's earlier works. Alexis actually did a little bit of anal this time too, albeit slower than her vaginal efforts, John bouncing between the gals privates as they kissed each other plenty of times. It ended when he bathed their crotches with genetic juice, the large wad of population pudding landing mostly on Alexis.
Scene Three: London Keyes, an extremely cute brunette with various piercings and a blue bikini outfit, was lounging on the couch when Alex Gonz came up behind her to eat her out. Not content with some rimming or ass massaging, he savored his opportunity to play with her, stretching her open for better access as she purred in delight. She proved to be his equal when it came her time to slob his knob, the cutie keeping eye contact as she worked his pipe aggressively. Deep throating him was easy and she did it with a flair, soon getting throat fucked before they actively engaged in vaginal plowing. There seemed to be some personal chemistry between them and it helped elevate the scene for me, his nut launched all over her abdomen at the end of the scene.
Scene Four: Phoenix Marie, the curvy blond spotted on the front cover, was up next as she masturbated with a glass dildo, her cover outfit enhancing her ample curvature really well as she stretched open her ass for the lengthy toy. She whispered into the camera about how much she liked it too, some more tease leading to her displaying her own aptitude with a cock orally. Phoenix gave great head and eyed the camera from time to time, making it clear that she was in control of her own destiny as she continued working over Alex Gonz. He gave her his traditional few licks before jamming his pecker into her pussy, the anal coming far sooner than anyone else in the cast (out of the few that actually did anal that is). Phoenix was passive during the anal for the most part, at least compared to some of her other scenes at this writing, but she took the modest pop shot to her ass cheek fairly well, the look of satisfaction glowing on her face.
Scene Five: Bridgette B., a slutty looking bleach blond that looked very familiar, was up last with Mark Wood. They were in the house and he went down on her, shoving his tongue inside of her before boning her like he owned her. She liked savoring her own juices off his rod too, proving she probably has had a tremendous amount of experience (maybe with hundreds or thousands of cocks) blowing men of all sorts. The throat fucking led to more active vaginal sex, the positions varied but the intensity always the same (set on medium). Bridgette acted as though she truly got off here and while that might be a stretch of sorts, I had no doubts about her having fun. The ending pop shot went to her ass cheek and she liked him shaking her money maker as the camera zoomed in to fade out.
Summary: Ass For Days 7 by director Gregg Alan for Diabolic was much like last year's release of Ass For Days 6 though with a less known cast and a lack of lengthy tease sequences as I prefer in my gonzo scenes but it still merited a rating of Recommended all the same thanks to the casting (Phoenix Marie London Keyes, and Kirra Lynne all being highlight acts for me). The technical aspects were pretty solid, the ladies well worth participating, and the heat generated close enough to the real deal that they earned some accolades. In short, Ass For Days 7 followed the formula laid out by the series enough that fans will find it worthwhile as a stroke flick, especially if you enjoy the cast's other works of late so check it out.
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