Cast: Katie Cummings, Jack Napier, Christine Michaels, Alex Love, Scarlett Pain, Charlotte Vale; Emma Heart (bonus scene only)
Length: 173:47 minutes
Alex Love with Jack Napier
Date of Production: 2009! (otherwise not listed at all)
Extras: The best extra was the bonus "core" scene between Emma Heart and Jack Napier that lasted 17:17 minutes, a fun little blowjob-only get together on the couch for those that care. There was a watermark at times but it was not noticeable to me often so check it out. There was also 27:11 minutes of deleted footage ("cutting room floor") that included nudity, interviews with the ladies, and some additional tease material. Then came a lengthy photogallery, some trailers, and a website access list, all held together in a slipcase with a double sided DVD cover.
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Audio/Video Quality: It's Big It's Black It's Jack #8 was presented in an anamorphic widescreen color with an approximate aspect ratio of 1.78:1 as shot by director Jack Napier for Vouyer Media in the MPEG-2 encoded standard definition using 480p resolution. The lighting was flat and even, substantially better than that which you'll find in most gonzo porn and topping a couple of his other recent efforts at the company. There was little grain and the fleshtones were accurate, reminding me of how splendid most of the movies released by the company have been of late (at least the ones I voted on for a few industry award shows). The composition of the shots was such that the ladies were made to look as good as Van Styles and Donnie Cabo could make them and given their level of skill developed over the years, Jack picking a solid production crew in my estimation (check out some of their work as directors to see what I mean). The compression rate was typically in the mid 3.1 Mbps area, moving about but rarely showing a need for less compression as some titles elsewhere have needed. The editing was on the minimalist end at the hands of Jonny Grownwood but despite the apparent name of a seasoned veteran, he did a fine job of it here. The audio was presented in 2.0 Dolby Digital English (in 192 Kbps with a 48 kHz sampling rate) but there was no significant separation between the channels and the vocals were on the low side in all but a few circumstances. Still, I could hear every monaural moan and groan in the post production enhanced release, pretty much what one would expect from a gonzo title.
Body of Review: Jack Napier is one of the few guys involved in interracial porn that almost everyone likes. His movies are fun, include some seriously heated footage, and he treats people well from what I'm told, the genetically gifted man the kind that ladies into size appreciate as much as those needing some TLC at times. For whatever reason, I haven't seen a lot of his work in awhile (mostly my associates wanting said titles) so it was great to catch an updated look at how he is shooting with It's Big It's Black It's Jack #8. The movie focuses on a bevy of beauties getting the Napier treatment, his massive cock put anywhere they would let him poke, prod, or insert. As expected, the focus was on vaginal and oral sex but suffice it to say, Jack is back with a vengeance, the ladies once again adoring the talented black stud as he gave them just what they had been asking for (after some heated tease at that!). Here's a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Katie Cummings, a fetching young lady with a sweet little body, was up first as she showed off her booty to talkative Jack Napier. Her crop top shirt was emblazoned with the phrase "I Heart Dick", her ass showing a few blemishes indicative of her teenage status. The full legs and throw-me-down stripper shoes along with her all natural tits added to the picture of what he was going to be nailing, the Miami native certainly a bright spot in Jack's week. The tease montage included her ass getting oiled up and a musical interlude, Katie showing how much she loved a big black cock, stroking it before dropping to her knees to inhale the top few inches. She then actively rode his rod vaginally in a number of positions, moaning out loud at the way his girth was accepted by her relatively tiny pussy. As she became used to it, her pussy learned to accommodate the rod nicely, her titties swaying in response to the manner in which they boned, the scene showing her taking a vaginal creampie that oozed out. It was a heated little scene to start off the flick, some chemistry helping make it stand out.
Scene Two: Christine Michaels, a lean redhead with a nice ass and cameltoe, was up next as the Florida native admired director Jack Napier. Her green shorts hugged her ass and crotch with her white bikini top adding to the Lindsey Lohan look she sported. Fans of innocent looking gals will appreciate her and she did not look her stated 22 years, the montage was short and the interview came afterward. Christine was another with a love of big cock and while she had to use her hand for most of it, her mouth continually tried to engulf more of his pecker even when she licked his balls clean. The oral led to them screwing vaginally, the average look of the gal making her stand out as the "girl next door" type of cutie so many fans like these days, Jack helping to push her a bit to take more of his penis inside of her snatch. She panted a lot and the camera twisted around as though it were strapped to the head of a dog (you know, the kind that twists their head when they see something strange), the inevitable vaginal creampie running down her crotch before too long.
Scene Three: Alex Love, an older blond with a thick body, was up next as she showed Jack Napier how well her bikini underwear looked. She rolled her eyes a lot and seemed to be impatient regarding the way he was treating her, the brand new gal (it was her second scene) showing more attitude than he was acknowledging even as he oiled her thick ass up. If you like ladies with less muscular tone and plenty of curves, she may still be the type you want to see, I just found her personality lacking compared to the others in the flick. She scowled and grimaced as the scene progressed, reminding me of a stripper working a third tier club when she believed she was better than her surroundings. She sported an all natural body and it took a heaping helping of Jack's personality to get her to crack a smile, her knob slobbing skills limited in how she managed to hold the shaft while taking the bear minimum of the tip. The lackadaisical blowjob led to a moderately active vaginal ride though, her fleshy cheeks rippling as they boned in a few positions. This time, the genetic juice was rubbed out to her face, some minimal post coital sucking ending the scene.
Scene Four: Scarlett Pain, a redhead with a ghetto gun tattoo, was up next on a rainy day with Jack Napier. As in most cases, Jack started it off by talking, followed by Scarlett getting a tease montage, her white bikini barely holding in her assets as she shook her body parts around in a provocative manner. Her extensive tattoo collection was a bit lame but her perfect breasts were certainly award winning hooters and her ass would look better only if sitting on my lap or face, her attitude refreshing compared to that of Alex in the previous scene. Her curvy body was appreciated and the way she drooled over Jack's cock even before she slobbed his knob was entertaining, the little cocksucker welcome at my place any time she's in town. As Jack became erect, Scarlett had an increasingly difficult time taking much of his pecker inside of her mouth, her pussy far more expansive in that regard from what I could tell. Within minutes of vaginally fucking Jack, she was bouncing on his rod like she was getting off, her swollen labia puffy from the experience. The active ride ended with a vaginal creampie too, dripping out as the pair commented on it.
Scene Five: Charlotte Vale, the sexy little babe on the front cover that looked like she could be the twin sister of Kristina Rose, was up next with Jack Napier after he introduced everyone that works on the series (from the PA to the makeup artist to the still photographer to Vince to Van as well as the editor). Charlotte was dressed in her tight black shorts and red top, her ass stretching the material considerably as she gave her tease. The formulaic approach worked well here too, the vixen doing her best to engulf a few inches of his cock, leaving her lipstick all over it as a result. Her sweet titties looked great too, pierced as knockers in a classic sense but not played with nearly enough since Jack was so ready to plow her fertile field. He banged her silly and she pushed back when she grew accustomed to the shaft porking her, the ending titty fuck draining his balls dry of splooged as she provided some dirty talk to enhance the moment. It was a solid ending to the scene and she seemed to like semen in the mouth, Jack appreciating that she swallowed it down.
Summary: It's Big It's Black It's Jack #8 by director Jack Napier for Vouyer Media was indeed a culmination of the varied production talent introduced as well as that of Jack and the ladies he selected so it earned a rating of Recommended. One of the women was a drag on the score but the extras and the newcomer dynamic certainly added to the overall pleasure of the show, the replay value and strokability some of the best stuff I've seen from the director in quite some time. I'm kind of curious to see what Jack has provided since I last saw his stuff given the strength of the DVD package, knowing that it has probably been well above average in a crowded gonzo market. In short, It's Big It's Black It's Jack #8 will serve the interracial lovers out there with a lot to inspire them with, the sense of fun mixing well with the desire most of the ladies had to work with the talented stud turned director.
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