Cast: Sunny Lane, Madison Ivy, Andi Anderson, Nadia Styles, Allyssa Hall, Nautica Thorn, Jamie Brooks, Britney Skye, Arnold Schwartzenpecker, Mike Hash, Jerry, Brian Surewood, Brett Rockman, Scotty Lyons, James Deen, Criss Strokes, none of them credited at all in or on the release...
Audio/Video Quality: Feeding Frenzy 10 was mostly presented in an anamorphically enhanced 1.78:1 widescreen color the movie was shot in by director Jules Jordan for Jules Jordan Video in the MPEG-2 codec used for standard definition releases (in 480p resolution). The scenes starting with Nautica Thorn were presumably older and shot in full frame (essentially, the last 67 minutes or so), but while they were not as visually appealing on my big screen television, they were still nice at showcasing the ladies. There was some variation in the lighting that added additional grain or washed out a gal (like Sunny) but I saw a few other issues as the camera kept an active stance at providing the best angles to showcase the ladies. The editing helped in this endeavor too with a movie as long as this one needing extra care to make sure that there is enough tease but also heated sexual antics, my initial impression being that there was less tease footage than usual which admittedly hurt the rating. The bitrate was on the low side (probably due to the amount of footage stuffed onto the double discs) yet there were few compression artifacts, the aliasing minimal and given the sheer amount of quality footage on display, most fans will be quite happy. The bitrate hovered all over the place this time, about usual with most of the movie in the 4.2 Mbps range, but varying across the board depending on the scene. The audio was presented in a 2.0 Dolby Digital English (at 192 Kbps with a 48 kHz sampling rate) offering that really didn't use any separation in terms of the vocals (there was some potential to do so here too). The dynamic range was also kind of generic, an area that seemed slightly better than previous efforts and an area that Jules could easily improve to make best use of the great many home theaters in the hands of porn fans everywhere.
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Body of Review: Jules Jordan has proven to be nothing less than the driving force in gonzo porn for years now, his distribution efforts at Jules Jordan Video often as praiseworthy as his own efforts. While Jules excels best when he is providing lots of tease and providing lengthy scenes with no limits, a great many of his fans appreciate his focused efforts even more so the recent release of Feeding Frenzy 10: Special Edition, the sequel to Feeding Frenzy 9, is probably newsworthy to them given the wait time they have had to endure since the last outing nearly two years ago. As always, the ladies do not screw here, they merely apply their oral talents to a group of low level quality mopers, each scene guaranteed to show the lady swallowing. This time, there was a distinctive "old school" feel to the title, several of the scenes clearly from a few years back (shot in full frame, using a guy that has been in prison for a long time, and gals that have left the business to pursue other endeavors such as religion) but starting off with hotty Sunny Lane, working through with newly retired Andi Anderson, and showing Nadia Styles proving her skills despite leaving the industry for "god" were almost as appreciated as seeing Nautica Thorn, Madison Ivy, and Allyssa Hall going at it. In short, I expected a lot of this double disc title even though I'm not a huge fan of BJ-only flicks. Here's a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Sunny Lane, the hotty featured on the lower center of the front cover, was up first in blue lingerie as she primped for her scene while talking to Jules. Sunny looked great and her frisky demeanor as evident as she posed in a coy fashion, her ass, tits, and smile all enough to elicit an erection, if you catch my drift. The tease was appropriately lengthy, a departure from most blowbang titles currently on the market, and she took charge when the herd of five mopes surrounded her. Sunny has always been best when working with a select group of top talent, particularly only one or two at a time, but I couldn't deny that she took to their cocks like a fish to water, serving up some solid footage many will find strokeworthy. Her hand to gland abilities have come a long way since she started in porn, her ability to deep throat, and even the manner in which she seems to own the men when focusing her efforts on them were a delightful start to the show, the swallowed loads and facial bursts of genetic juice almost enough to make me forget how much I would have enjoyed a full scene from her. The only complaint I had otherwise was that some of the footage during the ending face sitting was way over exposed, something I rarely see in one of Jules flagship efforts.
Scene Two: Madison Ivy, a curious little brunette as seen on the lower right hand corner of the cover, was up next as a modern school girl in fetish attire. Jules verbally sparred with her about her lack of panties, her comments regarding how much she liked a cock in her mouth enough to get me ready for action all over again. Her pretty eyes gave her an exotic look here too but it was how aggressively she inhaled the cocks that I found to be rewarding enough to stir some interest in seeing more of her, her five partners of the day not the best subjects to test her admittedly sweet skills on but enough to prove she should be popular with all the perverts that like the young looking ladies. She did swallow too, as all of her peers did in the flick, but she looked almost elfin in the way she looked up at the camera from time to time so the relative lack of chemistry was not an issue.
Scene Three: Andi Anderson, the attractive blond bombshell spotted on the lower left hand corner of the cover, was up next as she was dropped off at one of the most common houses in all of porn (the one with the half circle windows on the front doors). Her blue jean shorts were too loose but she dumped them to sunbath in the nude by the backyard pool, her fine body making me sad that she has decided to leave the industry (at least for now). Once she was in the kitchen, the action began and she undid some pants to get at the trouser trout she was generating, dropping to her knees to please the men. She would jerk one or more off as she sucked off another, the camera a bit too active at times at capturing the best angles. Andi paid it too much attention too, but I found the way she sucked down their population pudding from the champagne flute (instead of from the taps it sprang forth from) to be a bit weak. Otherwise, Andi had fun and while it was not her best work, it was enough to serve fans of hers until the fateful day when she makes a return (at least in conjunction with the rest of her work too).
Brittney Skye (and some of the mopes)
Scene Four: Nadia Styles, the sexy brunette seen on the middle of the left hand side of the front cover, was up next wearing a skin tight black outfit that looked great on her. I last saw her in January after she had converted to her new religious beliefs so I'm sure this was shot awhile back but it served to remind me how great she was in her heyday. After some appropriate tease, Nadia was soon on her knees blowing the all new mope squad, her enthusiasm for working the guys not diminished by their lack of standing in the industry. Nadia was not always an active oralist so seeing her having this much fun with them was a nice way to end her career even if she will forever live on in the various compilations and titles she shot over the years. In terms of her work this day, Nadia serviced each of the men nicely before swallowing their wads of semen, making me wonder why Jules would sit on such a fine scene for so long, the only complaint being she mugged for the camera so much.
Scene Five: Allyssa Hall, one of the youngest looking ladies in the movie (as seen on the middle of the top on the cover), was up next as the first scene of the second disc, the scene surprisingly in anamorphic widescreen (the rest of them went to full frame and started the timer over). Allyssa was half naked in Jules' office by his desk, her Thomas the Train(?) backpack loaded with porn (including Jenna Haze's first directing effort I missed out on), the gal wearing pink themed attire that came off quite easily. She inquired as to what he was hiring for these days and the rest is history once he showed her a copy of Feeding Frenzy 8. Jules alerted his standby squad of mopes with a "code red" and they came in to surround her, their clothing flying off as quickly as hers to allow her access to their cocks for servicing. The blowjobs showed she was not yet experienced enough to be a heavy hitter as an oralist but her ability to satisfy orally was never in question, even as the sperm was swallowed in copious amounts (though she missed plenty too). It was funny too that she reminded me of a young, pre-enhanced Delilah Strong, the look appealing to me for various reasons beyond her personal skill level.
Scene Six: Nautica Thorn, the ever popular gal sported on the middle of the right side of the cover, was up next in full frame, her white bikini covered by black fishnet material and some sexy black boots. Nautica is a great teaser and she applied her abilities here, her look appearing to come from at least a couple of years ago though I could not specifically pin down why I thought this. She climbed up the stairs and showed her assets, opening a door to reveal Brett Rockman, Brian Surewood, James Deen, Arnold (who was in every scene or nearly so), and what's his face. Seeing a group of players I haven't seen together in a long time, it was sort of comforting knowing she would be one of the standout performers of the day, kneeling to receive their offerings but doing so on her terms. I especially liked how she connected with most of them via eye contact, eschewing the mugging towards the camera as if to make a better scene for those surrounding her. In short, while I adore Sunny, think the world of Nadia, and appreciate the rest of the team assembled here, Nautica worked the mopes the best before swallowing their modest wads of spew (even taking some cock vaginally to give her a decided edge against the rest).
Scene Seven: Jamie Brooks, the busty blond hotty seen on the upper right corner of the cover, was up next in full frame as she showed herself off to Jules in the living room. Her eyes were pretty, ass firm as could be, and face as easy on the eyes as any of the rest of the cast in her fishnet top, red vinyl booties, and fetish shorts. Her accent didn't hurt either but she was always a nice package if I recall correctly. The guys came out of nowhere in the bathroom to feel her up and she did likewise to them, her eyes looking around frantically as if deciding where to start. She did a decent job of it overall but the guys got kind of excited early on and pushed her too hard, too fast so she lost the rhythm that had worked for most of the others in their scenes. She did swallow but her performance was not as consistently strong as Nadia (not surprising given that Nadia was the top of the food chain in that sense), even reaching towards the bottom of the pack, a change from the performances of hers that swept me away way back when.
Scene Eight: Britney Skye, the blond on the upper left hand corner of the front cover, was up last dressed in white lingerie, a blindfold, and double leather neck collar as the mopes surrounded her. The lack of tease sucked donkey balls and Jules was far too close to shoot the scene just right but the men felt her up as she tried her best to keep things going strong. It was good that her hands were bond behind her back given her previous oral exercises where her hands covered up most of the cock but it did show another side to her that rarely came out when she was actively performing. This was another modest scene overall and while she did swallow some genetic juice, it was very hit or miss in how the gal performed with the pack of fourth tier talent used for her scene. If the rest of her work had been this mediocre, she'd have been a contract gal or feature performer so I'm glad that it was mostly different.
Summary: Feeding Frenzy 10 by director Jules Jordan for Jules Jordan Video combined scenes that I'm pretty sure were used on the director's websites with newer material, Jules as demure as ever as he focused on gals giving head to a group of losers. There were scenes easily worthy of better titles in his library and others that would have been decent for lesser directors but the overall package earned a rating of Recommended from me largely because of how uneven some of the material ended up being. In short, Feeding Frenzy 10: Special Edition, like Feeding Frenzy 9 before it, was the kind of thing that should be considered a "must have" for fans of blowbangs even if it was not the very best Jules has to offer, the mixture of various styles by the ladies keeping it from becoming too predictable as is usually the case at weaker gonzo companies.
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