The third and final film in the Aunt Peg series was directed by Anthony Spinelli under the Wes Brown alias and it once again stars the late Juliet Anderson in the role that made her famous, the lusty Aunt Peg. Shot by ace smut lenser Jack Remy, like the two films that preceded it this final entry is a fairly classy affair and it lets the MILF-tastic Miss Anderson strut her stuff with flair.
The film almost plays like a greatest hits album, with Peg once again playing the wealthy movie producer unashamed to use the casting couch at her discretion. When the movie begins, she's being ushered in by helicopter, zipping past the MGM Studios lot while the opening credits, which contain a lot of alias', appear on screen. Once she gets out of the chopper, we cut to the bedroom where we see her getting it on with Herschel Savage. She rides him cowgirl style and then strokes him off. She looks good here in her black stockings and seems to enjoy sucking Herschel's fingers while she rides him. It's a short but fairly passionate opening sequence.
From there we fly over the Hollywood hills as Aunt Peg tells us about meeting her niece at the airport and taking her back to her house where they discussed a picture she was about to produce. This segues into a scene where Aunt Peg auditions a black guy named Tyrone (played by Johnny Keys) by taking him on the couch. After a bit of chit chat Johnny takes his pants down and Peg gives him head. From there, he slips it in and gives her a quick boner jam on the couch and they get pretty acrobatic at times before he finishes up into her mouth and onto her face.
Meanwhile, another couple getting ready for the shoot - Richard Pacheco and Selena, are frolicking on a big white bed. There's a fair bit of oral before they get down to actually fucking but it's steamy a scene and Selena looks fantastic here. It turns out, however, that Johnny hasn't left - he's spying on Peg's niece, Sheila (Sharon Kane), who is hanging out nude in the hot tub. She catches his eye and so he bends her over the bed and fucks her from behind. They go at it for a few minutes and she fingers herself while they fuck until Johnny pulls out and spunks into her open mouth. Once Johnny's taken care of her, he splits and Peg finds herself with another interview to conduct. This time she's hiring for a secretary, and Suzanne French is the applicant. In order to make sure she's right for the job, Peg has to have her get naked and make out with her. Of course, making out with Aunt Peg can only lead to one thing and before you know they're going down and fingering and doing those things that we all know hot chicks do to each other when dudes aren't watching them.
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From there, Peg and Sheila get dressed and Peg talks her into taking a little trip with her. To where? John Holmes' house of course! He's more than happy to let the two lovely blondes in and after a bit of small talk, John finds himself in the middle of a blonde sandwich. They take turns giving him head and Peg goes down on her 'niece' for a minute or two. The girls work their way into a sixty-nine with Peg on top taking Holmes from behind and he finishes by letting the girls collectively suck him to a finish. It's a very good scene, probably the best one on the disc, and you can tell all three of them are really into it.
Peg's narration tells us that afterwards Sheila took a trip back home to Seattle. We cut to a film set where Peg is back at work, auditioning some young stud for yet another part in yet another film. Played by Eric Stein, he's supposed to be a Spanish man but he doesn't really look the part despite the fact that there's some wacky flamenco guitar music playing in the background. Peg blows him and he fondles her a bit and then he gets on top of her and they go at it missionary style. She goes down him and he blows his load onto her pretty face to end the scene.
As the movie works its way to a close, an agent (Aaron Stuart) brings his newest find, an actress played by Erica Boyer who looks bizarre with her two-tone hair cut, to Peg for possible inclusion in a film. Stuart shows Peg what this new find of his is made of by sucking her tits on the boardroom table. One thing leads to another and he goes down on her before fucking her missionary style until he blows his load and ends the scene. Peg is impressed and in the next scene, she's got Miss Boyer's tits in her mouth while they flop around in bed together. The girls eat each other out and finger one another until each one has been well taken care of.
From there, Peg decides she needs some work done around the house. She hires an interior designer, played by living legend John Leslie, who heads up stairs with her to see what she needs. Peg, wearing a wig to make her hair look longer here, decides that what she really needs is his cock down her throat and she takes control of the scene and gives him a fantastic looking blowjob. He resists at first but it's pretty hard to say no in a situation like that and she jerks him to a happy ending. One final scene occurs before the film plays out as Aunt Peg once again finds a willing young man in the form of Mike Ranger. She strips for him and shows off her body and once he's good and hard she rides him on the couch, reverse cowgirl style. She blows him and he finishes up and from there we wave goodbye to Aunt Peg as she flies off in her helicopter once more. She tells us she'll be back soon, but history proves that wasn't the case and Ranger's facial finish would wind up not only closing out his scene, but closing out the legacy of the great Aunt Peg.
Aunt Peg's Fulfillment is presented in a fullframe transfer, which appears to present the film in its original aspect ratio. It looks a bit washed out but is otherwise not bad, though some of the darker scenes and night time scenes get muddy. The picture, like all of VCX's transfers, is interlaced but print damage, dirt and debris are never overly problematic despite some instances of heavy grain. This looks like it was shot on 16mm judging by the grain structure and integrity of the image and for a film made sometime in the seventies, this isn't a bad presentation at all. There are some really minor instances of macroblocking if you put this under a microscope and look for defects but if you're not watching for such digital anomalies, you probably won't even notice them.
The Dolby Digital 5.1 Surround Sound soundtrack is a little muffled and not of the best quality, but again, it's taken from an older source so the limitations of the era's technology are going to be there when that's the case. Dialogue is pretty easy to understand, however, and the background music comes through reasonably clear. There aren't a lot of sound effects used in the film, mostly just some random moaning and groaning during the action scenes and these are handled just fine, as are the talkier bits of the movie. There's very little surround activity here, it's a front heavy mix that doesn't sound too far off from an old Mono track, but 5.1 is what it says on the packaging, on the receiver, and on PowerDVD so 5.1 it is.
Aside from some tacky animated menus, VCX has included four bonus scenes - clip from Private Moments, a clip from Pussycat Ranch, a clip from Take Me Down and finally a clip from Untamed Passions. Rounding out the extras are trailers for Tower O f Power, Only The Best Of Breasts, Sweet Throat, and Private Moments , and the Legendary Tribute montage of vintage adult movie clips as well as some animated menus.
While Aunt Peg's Fulfillment isn't as good as the first two films in the series, it's still very much worth seeing, particularly for Anderson's fans as she's in most of the scenes and in fine form to boot. VCX's DVD is watchable enough even if it isn't going to amaze you, though their tendency to recycle extras and use interlaced unrestored transfers isn't all that endearing. Regardless, the movie is good enough that classic smut fans will want it and this disc comes recommended.