Cast: Katie Kox, Alex Gonz, Alison Tyler, Anthony Rosano, Sierra Skye, Mick Blue, Ava Rose, James Deen, Rachel Love, Billy Glide, Jerry
Length: 196:16 minutes
Date of Production: 12/21/2009
Extras: For some of you, the bonus scene from Curvaceous 1 described in detail below, will be the best extra, the tryst between Abbey Brooks and Tommy Gunn well worth checking out if you haven't seen it before. It lasted 27:19 minutes and appeared nicely mastered for those that care. The more related extra, the 10:38 minute long Behind the Scenes feature by Mike Maravich, was actually pretty well done too, showing Skow helming the camera while getting bits from two scenes and interviews (though I may never try to play a piano again). There was also a photogallery, some trailers, spam, and positions menu's stuffed inside the scene selection part of the disc.
Audio/Video Quality: Curvaceous 2 was presented in the same 1.78:1 ratio anamorphic widescreen color it was shot in by director Shylar Cobi for Vivid Entertainment using the standard definition MPEG-2 codec in 480 resolution. The flick was shot in 1080i/60 high definition awhile back, though presented in the SD format (for now), in what appeared to be a more intimate setting than some of Shylar's works to date. The lighting was well handled and this added to the pleasure of watching the gals in play as the lengthy scenes gave them enough freedom to explore their sexuality. The composition of the camera angles was almost always optimal this time, Shylar seeing fit to try and enhance the look of the ladies at every turn as possible, B. Skow leaving him in charge this time (Shylar is usually in a producer role). The fleshtones were accurate too and the DVD mastering was well done (the bitrate hovering around 4.2 Mbps), even if the lighting was off at times (the company watermark will be bothersome to many out there but only some). The audio was presented in a 2.0 Dolby Digital English (in 256 Kbps with a 48 kHz sampling rate) offering with the vocals sounding flat and the music pretty decent. The aural qualities of the movie appeared to offer minimal separation and dynamic range but the vocals were easily heard and that is on par with most modern porn.
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Body of Review: Shylar Cobi is a popular producer known for his work at Vivid Entertainment. Every once in awhile, he takes the reins to a project that he calls his own, the result typically at least as good as many of his peers throughout the industry. His latest flick is a collaboration with B. Skow called Curvaceous 2, the show all about women built for comfort over speed. By this I mean gals that have some junk in their trunk and are not anorexic, the kind of ladies that enjoy using what they have be it big tits, fleshy asses, or just the type of bodies that many men appreciate more than those who resort to a whole host of tricks to stay thin. There was no lead this time and Vivid has never had a particularly thick contract performer on call but it was definitely a lot of fun, the all new scenes lasting in excess of three hours but still providing some decent extras all the same. The back cover described the movie like this: "This time we're laying it on thick. Five big scenes...five big girls...five big, round asses. Rachel Love, Katie Kox, Ava Rose, Alison Tyler and Sierra Skye...taking two dicks at once, begging for big, wet facials, fucking outside in broad daylight, oiling up their giant, natural tits, and teasing their big, fat pussies for the camera just the way B. Skow likes it. It's Curvaceous 2...the sequel to the hit! Or as we like to call it...Big Love without the Mormons." Here's a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Katie Kox, the attractive young lady featured on the front cover, was up first in the kitchen, teasing her black top off to reveal large breasts and pink lingerie with a smile, her eyes quite fetching. She wore a skirt that hardly covered her ample ass, her panties riding up her ass crack in an inviting manner, even a slight wet spot but her camel toe beckoning to viewers before she ended up with Alex Gonz. There was some milk tease (Katie pouring it over herself) but I didn't hold that against her since some of you claim to appreciate that kind of thing. He started out working on her tits a lot but soon ate her out as well, her blowjob a reward for a job well done. She kept eye contact and used her hand a lot but seemed more into wanting to actively ride his pecker than anything else. She had no pubic hair so it was easy to see him drilling her hard, the aural comments minimal as she cried out from time to time. There was a lot of taste testing and the scene ended when he rubbed out a nut of genetic juice to her tits and mouth, some post coital head closing it up.
Scene Two: Alison Tyler, a thick brunette wearing a red corset (as seen on the left side of the front cover; second from the top), was up next as she followed the formula in a living room. She played with her tits as the music played on, rarely displaying her ass even after Anthony Rosano came out of nowhere to pound into her pussy and eat her ass. She was a modestly active rider during the vaginal sex and seemed most comfortable sucking him off, the lady giving him a series of verbal clues as to what she wanted him to do as they continued their tryst. This scene was similar in most ways to the last one, Anthony jerking off to her face before she cleaned him up with her hands behind her back.
Scene Three: Sierra Skye, an adorable woman with tons of freckles as seen on the upper right hand corner of the front cover, was up next in a larger room, her bikini underwear offering scant coverage of her curvaceous body. The tone of the music was jazz this time, the gal's all natural breasts certainly fitting the bill of the "100% guaranteed" action, her dedication to breasts also pronounced from what I could see. She reclined and started masturbating, a lovely red bush outlining all she had to offer. This continued until studly Mick Blue joined her ice cube play, her lips wrapping around his pecker in record time to start sucking him off. She stroked him and otherwise readied him with a titty fuck, the gal practically impaling herself on his cock vaginally to become the most active rider of the whole movie. The way she threw herself into the action was exciting too, the chemistry between them more readily obvious even if the same bag of tricks was deployed. It even ended better with Sierra giving the best head between positions, almost always trying to get Mick to climax early with her need for seed showing, the population pudding gracing her mouth during the very last example.
Scene Four: Ava Rose, the popular former contract starlet seen on the upper left hand corner of the cover, was up next as she teased on a large blue couch, her red pumps and tong remaining in my memory well after the scene finished up. Ava is a gal that has fleshed out too, some not appreciating her as much as I have of late but many still finding her undeniably attractive all the same. She emphasized her ass but she spent some time masturbating lightly, the new age music on the weak side but hardly distracting given her eye contact with the camera. She was neatly trimmed up and while I would have liked to see more physical tone, her eyes alone were seductive enough that I wouldn't skip a beat dealing with her. She finished masturbating when James Deen entered to assist, his pants lasting on him longer than she would have liked. He diddled her and otherwise went down on her at length, her moaning sounding much more realistic than many of her peers in the business. She sat on his face and then blew him, his cock stuffed deep inside her mouth in various positions before they vaginally screwed like happy teenagers in heat. Ava did a lot of the work here, pushing back against his dick as he entered her in numerous positions, the gal eventually taking an active step to drain his balls of semen by blowing him to completion, James rubbing the load out all over the lady.
Scene Five: Rachel Love, the girl-next-door blond seen on the right hand side of the cover (second from the top), was up last as she unleashed her curvy delights in a dining room setting while on a black couch. She had a soccer mom MILF appeal and her body looked real enough, the digitized music more generic this time. The pacing was slow but seductive though, her purple patterned bikini outfit large enough to cover but small enough to draw the viewer in for more. She removed it at a leisurely pace whilst following the formula, eating whipped cream from a can off herself until Billy Glide and Jerry jumped in to try this approach. Food fetish work is not my favorite, especially when it involves milk products, but she looked good enough to eat and applied this hunger to their cocks. The aggressive blowjobs aside, the men took her in alternating ways using her mouth and pussy for their perusal, her riding not as active as I prefer but her willingness to push her own limits decent enough (and she did get better at accommodating them). There was no anal or DP work to speak of here but she inhaled then slickly enough to get both a facial and a titty pop, the glazed look suiting her just fine.
Scene Six: Curvaceous 1: Abbey Brooks, still in the bathroom getting ready, was up next in what was billed as her first scene with a guy; the lucky lady winning out by getting studly Tommy Gunn. He ate her out and she was also overly vocal but the projected dynamic always led me to think she was enjoying herself in the process of the scene being shot. His fingering led to her showing what a great cocksucker she was, the couple moving to the bedroom with an abrupt edit that struck me as weak (an area in need of polishing up) but him drilling her cookie pretty hard to her delight. She was only active when on top of him where she could pump her hips but it was a lengthy scene all the same; the minor flaws left in to protect the chemistry they shared and energy they projected. It eventually resulted in Tommy rubbing out a load to her abdomen and Abbey giving him some post coital head; showing her entry into full sex scenes as pretty decent overall.
Summary: Curvaceous 2 by director Shylar Cobi for Vivid Entertainment had a lot to like and I don't just mean that as a pun. The ladies all satisfied the advertised claims and even the weakest performance wasn't bad, a few of them standing out enough that I hope they lay to rest the idea that only skinny women are suitable for porn or enjoyable sex so I rated this one as Recommended. The technical qualities were decent and the theme was welcome, the movie offering strokable smut with replay value all a fairly solid package of extras. In short then, Curvaceous 2 should show a willingness on the part of Vivid to cater to a variety of folks the kind of sexual energy provided outside of the contract performer genre. In the end, Shylar may not have strayed far from his comfort zone but the choices made here were well thought out most of the time and it was a fun flick overall.
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