Cast: Jenny Hendrix, Mr. Pete, Daisy Cruz, Marco Banderas, Katie Summers, Sascha, Krissy Lynn, Mark Wood, Juelz Ventura, Johnny Sins
Length: 146:16 minutes
Date of Production: 2010
Extras: The best unrelated extra was the 32:58 minute long bonus scene from SWAT #5 described below. The next best extra was the 20:22 minute long Bonus Core footage, the deleted material focusing largely on the ladies in various states of undress, most of it devoted to interviews. There was then a photogallery, the box containing a true double sided cover and slip case.
Audio/Video Quality: Bombshell Bottoms #7 was presented in a visually appealing anamorphic widescreen color using an aspect ratio of 1.78:1 as shot by director Zander for Vouyer Media using the MPEG-2 codec employed by standard definition releases with a 480 resolution. The lighting was strong, eliminating the shadows and grain like most of Zander's works in the past, but there was a deliberate soft focus at work here, one I can't say I cared much for when it took place. The grain was minimal but the video noise stood out at times and I got the impression that Zander spent some time to use the camera angles to enhance the looks of the nicely made up ladies. The bitrate tended to hover around the mid 4.3 Mbps area most of the time I paid any attention to it, the opening tease sessions looking like they were much lower resolution and frame rate for some reason. There was also a light watermark on the lower right hand corner of the screen at times for those that care. The composition of the scenes enhanced the look of the ladies, Zander trying to emulate some of his peers in the industry rather than reinvent the wheel, the editing by Johnny Grownwood needing some polishing up a number of times. The sole audio track was presented in 2.0 Dolby Digital English using the standard 256 Kbps rate using a 48 kHz sampling rate most titles are mastered with, the aural experience fairly limited due to the nature of the gonzo shoot. There was also no separation between the channels and the dynamic range was as truncated as ever, standard gonzo audio being okay for most consumers.
Katie Summers (click for clip)
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Body of Review: Vouyer Media has certainly seen some changes since the company was founded a few years back, the loss of the company leader not deterring some of his former associates from making a lot of well received porn. The latest release of theirs coming in the other day was Bombshell Bottoms #7, a title dedicated to ladies with curvy asses that appeal to a great many fans such as myself. This time, the lead was Jenny Hendrix but the others included Katie Summers, Juelz Ventura, Krissy Lynn, and Daisy Cruz so I knew that the likelihood this would be a lot of strokable fun was high. The format of the action followed a set pattern each time, some tease in sepia before the ladies took care of their male partners in full flesh tones, a lot of oil and playful screwing helping to make it stand out from the pack of similar efforts by the competition. The company press release described the movie like this: "Got ass? From Alexis Texas to Asa Akira, the Bombshell Bottoms series has showcased some of the most perfectly proportioned moneymakers in the game. And now, Vouyer Media is pleased to announce that 2010 AVN award nominated director Zander has completed Bombshell Bottoms #7, an all-new exercise in ass obsession. Taking his cue from the AVN Awards, the director was quick to notice that hourglass-figured Jenny Hendrix was attached to many of the past year's finest films, and he pushes her to the forefront here, showcasing her on the DVD cover and in a briskly paced boy/girl adventure. Watching this exciting sequence, it's easy to see how Jenny has impressed fans and filmmakers alike with her refreshing attitude, supreme self-confidence, and shapely ass. She's earned acclaim to spare from both AVN and XBIZ, and she lives up to those accolades by putting her stunning booty to work in a high-energy encounter that ranks as one of the best to be found in the series. And when Ms. Hendrix isn't personally dominating the screen, she receives some first rate backing from a supporting cast that includes April 2010 Penthouse coverstar Juelz Ventura, who offers up her shapely butt for some intense worship from Johnny Sins, and blonde Texan Katie Summers, who shines in a high-energy workout with Sascha. Zander rounds out the show with equally impressive romps from Daisy Cruz and busty Vouyer Media favorite Krissy Lynn. These voluptuous ladies show off their succulent, pear-shaped cans in explosive segments with such reliable woodmen as Mr. Pete, Mark Wood and Marco Banderas. And every scene is photographed in 16x9 widescreen HD and edited to please even the most discriminating ass aficionado. Throw in beautiful O-card packaging featuring Jenny Hendrix, a sizzling bonus encounter with Gracie Glam, intimate behind-the-scenes footage and a generous hardcore still gallery, and you have the finest installment yet in the series DVD Talk praises for its "great angles, great shots, and great positions!"" Here's a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Jenny Hendrix, the cover cutie with the well rounded booty, was up first as she shook her money maker outside in an artistically rendered tease sequence. She wore a pair of tight shorts far too small for her ass but peeled them off after some oil tease was initiated. Her matching top did not last long either, my appreciation for the more realistic looking fleshtones where she bent over for Mr. Pete duly noted. He jerked off as he fingered the lass, roughing up her fleshy posterior before some early vaginal penetration, both of them engaging in a myriad of active positions with Jenny doing all the oral this time. The scene ended with her staring at the camera taking a facial of genetic juice as she provided some post coital head, the action best described as vaginal-centric and lacking in chemistry.
Scene Two: Daisy Cruz, an attractive Latina with a nice rump and also sporting implants, was up next with Marco Banderas, the tease following the artistic leaning of the last scene before they ended up in the living room. There was some kissing and she dropped down to slob his knob, her devotion to giving head suitable for her skilled approach. Daisy kept eye contact with him and also actively rode in several vaginal positions, mechanically driven to push back to meet his thrusts as she moaned aloud in pleasure. There did not appear to be a lot of personal chemistry here either but both of them gave lively performances, Daisy too intent on looking at the camera for my taste but still deserving some applause for how she kept going back to clean off his cock of her vaginal secretions. The scene ended as expected too, Marco tossing off a load of population pudding onto her face.
Scene Three: Katie Summers, a cute Texan with an all natural rack and fleshy ass, was up next blowing Sascha once she had provided the usual tease in sepia toned manner. The camera followed her more closely than the others this time, the gal beating him off as she sucked his rod, throating him as best she could before her puffy pussy impaled itself on the penis. She was a very active rider and he toyed with her ass a little, pretending like he was going to pork her rear end when she was bent over the couch. Her pussy got so juicy that it made sloshing noises as she pushed back to meet his thrusts, Sascha roughly boning her like he owned her before unleashing his seed onto her mouth, the gal spitting it out as best she could while laughing at her impact on his balls.
Scene Four: Krissy Lynn, one of the most curvy ladies of the movie (and a personal favorite of mine), showed her sweet curves on the couch after her outdoor tease, prompting Mark Wood to shake her ass and eat it at length. He nuzzled her chunky cheeks and she enjoyed his ministrations, her face sitting exhibition turning into a 69 before her devotion to his pleasure meant continuing with more head. Her hand assisted hummer then led to a titty fuck and various vaginal positions, her labia tightly wrapping around his shaft to milk him of the spunk she so desired from the guy. She gave the impression of liking him as more than just a fuck buddy too, appearing to get off herself as she drove herself hard on his pecker. The scene ended with a facial, the color tint off as in the other scenes but the passion levels higher too.
Scene Five: Juelz Ventura, a frisky Latina with a decent body, was up last as she teased out by the pool, removing her bikini as the tattooed gal continued to work her moves before the camera. There was oil here too and she made the most of it, the surreal music leading her back to the couch where Johnny Sins was waiting for her. By then she was wearing a classic black bikini set of lingerie, her silk stockings and heavily buckled boots adding a different look to her as she removed pieces of attire. He ate her slowly and she reciprocated more quickly, her vaginal riding starting off slowly until she got into a groove with her finger up her ass. Given her propensity for anal sex, I was half surprised that he wasn't allowed inside her backdoor, the scene finishing up as he held her head while busting a nut into her mouth.
Bonus Scene: SWAT #5: Gracie is a hottie. This young babe has a cute face and a hot little body. We find her wearing panties and nothing else. She uses a hula-hoop as the camera shows off her sexy figure from different angles. The scene cuts and we find her in clothes and talking. She takes off clothes and the dude joins her. He rubs her clit and sucks on her tits. Next she takes his meat in her mouth. She gives an energetic blow job. Afterwards they engage in sex. The penetration is pretty hot. Gracie handles it like a pro. She really gets into the action which helps keep it exciting. The scene ends with a facial. The scene ends with a facial. (review by Rob Randell)
Summary: Bombshell Bottoms #7 by director Zander for Vouyer Media had a lot of attractive ladies with shapely asses having a good time so even with some technical issues like the editing, the use of cameras not set just right, and lighting that was inconsistent, it earned some praise as a Recommended movie for gonzo buffs. Jenny Hendrix was as hot as ever, Texan cutie Katie Summers added some warmth, and Krissy Lynn reestablished why I get a boner anytime I see her listed in the credits. In short, Bombshell Bottoms #7 may not have been as ball drainingly superior as some of the earlier efforts in the series but Zander seems to improve with every release of his hitting the market, making me wonder if he'll ever catch up with the kind of work his peers at the company have been doing for years now.
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