Cast: Kendra Lust, Manuel Ferrara, Kristal Summers, Erik Everhard, Tanya Tate, Toni Ribas, Veronica Avluv, Mark Wood, Ava Devine
Length: 166:54 minutes
Date of Production: 5/15/2012
Extras: There were six trailers, a photogallery, websites, pop shot recap, a cast list, and a BTS lasting 29:52 minutes. The Behind the Scenes feature included a lot of interview material while the ladies were getting ready,
Audio/Video Quality: Dirty Rotten Mother Fuckers 5 was presented in an crisp 1.78:1 ratio anamorphic widescreen color as shot by director Chris Streams for Jules Jordan Video. The lighting was consistently solid, generally limiting the grain and other visual flaws in the open settings of the house, no scenes going far outside the box in terms of centering on dark rooms this time. I liked the straightforward manner of lighting and camera work this time, Chris having had a wave of success for a related company (Live Gonzo) using this same approach he has provided for some time now. I did notice the company watermark in the lower right hand corner this time, something typically reserved for the lesser companies but given the times, not surprising. The 2.0 Dolby Digital English audio (in 192 Kbps with a 48 kHz sampling rate) was a bit more basic with no separation or major dynamic range but I could always hear what was said and the music didn't interfere with my viewing pleasure. The music dominated during the tease sequences and fans may find this a marked change for the director from most of his works to date.
Kristal Summers with Erik
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Body of Review: Chris Streams has been a favored director for years now, his works at Jules Jordan Video certainly upgrades over his last company efforts. His latest flick coming in to review is called Dirty Rotten Mother Fuckers 5, the show providing a series of older, thicker ladies proving that experience beats youth almost every time. The whole MILF genre is one full of contradictions from where I sit but Chris went out of his way to populate this volume with a set of five ladies a bit off the beaten path, using popular Tanya Tate, returning curvy cutie Ava Devine, Kristal Summers, Veronica Avluv, and Kendra Lust in a first scene with a guy. I was disappointed that this was not a double disc set like previous volumes in the series but there were still ample strokable moments to appreciate, the subheading of “MILF Mania” certainly applying. Here’s a very brief look at the scenes by cast and action, noting that obviously no condoms were used for those still interested:
Tanya Tate with Toni
Scene One: Kendra Lust, a sexy newcomer wearing form-enhancing lingerie, was up first in what was billed as her first scene with a guy (as far as I know, it was her first scene ever; the lady seen on the upper middle of the front cover). She lucked out by being paired up with studly Manuel Ferrara, the scenario being that she was a worried mother willing to do whatever it took to convince him, as her sons’ coach, to keep the kid on the team. She was initially irate and wearing a skintight pink dress, her attitude changing when she saw being grumpy did not work. They were in the locker room and she started touching him, lowering down to kneel on the floor to seductively slob his knob. Whatever her professional status in porn to this point, she clearly had seen plenty of cocks in her mouth given her oral abilities, her hand to gland combat skills also impressive as he choked her. They fucked passionately and actively from there, Manuel going down on her while Kendra did some intermittent oral on him as needed. She tossed his salad and was a way better lay than I thought she’d be going into the movie, their chemistry enhancing the action substantially. The ending wad of spunk went to her face and mouth, Kendra appearing to swallow some of it.
Scene Two: Kristal Summers, the handsome woman seen on the upper middle of the front cover (between Kendra and Tanya), was up next as a teacher of educationally challenged students in a classroom setting. Erik Everhard was her sleepy student and he loved peeking up her skirt as she bent over, leading him to fantasize about her putting on a stripper routine for him that included smothering him with her breasts. He was all over her as she knelt on the desk, sucking her nipples and eating her out which led to a passionate blowjob, her eye contact superior and enthusiasm enough to make her also stand out from the often modest skills of her peers in the industry. She gave him a titty fuck and he rewarded her by pounding deep inside her snatch, gobbling her gash before resuming some very active vaginal riding. This continued for awhile and he started flowing with the ball batter, Kristal savoring it as she knelt before him to swallow his load.
Ava Devine with Manuel
Scene Three: Tanya Tate, the British bombshell and porn sensation seen on the upper right hand corner of the cover, was up next in a stylish dress. She was on the phone and had a communications issue with gardener Toni Ribas, resulting in his delighted oral attack on her pussy. Tanya was surprised at first but probably preferred him cleaning her pussy over mowing the yard, his talented tongue eliciting a series of moans telling me she was into the action. Tanya then slobbed his knob skillfully and jumped onto his pecker to ride aggressively, the look on her face speaking volumes as to how much she enjoyed the action taking place. They continued sucking and fucking without concern of her makeup smearing, Toni beating out a load of population pudding all over her welcoming face to end it all.
Scene Four: Veronica Avluv, the featured fox on the entire left side of the front cover, was up next as she was confronted by Mark Wood, the man telling her he believed their spouses were cheating together. They sat on the couch by the fireplace, Veronica suggesting they get even by cheating themselves. Within moments, she was sucking down his pecker like she was possessed, licking his balls while she jerked him off and otherwise going wild with her hand to gland proficiency. To say she was acting cock drunk would be an understatement, her need for seed such that it amused me while turning me on, a titty fuck and hammering vaginal series of penetrative positions making it clear that she wanted to be a force of nature sexually. The hyper active vaginal led to a still fun anal, some choking and lots of thrusting leading to his round of genetic juice glazing her face.
Scene Four: Ava Devine, the thick lady featured on the lower right hand corner of the front cover, was up last with Manuel Ferrara. She was looking fitter than ever and her breasts stood out like crazy as she continued teasing him, the jogging session on the treadmill sure showing her ripe for the plucking in her tube top and shorts. She then became mad at her husband over the phone and sought some relief, using a huge black dildo to anally penetrate herself while she got off on the bed. Manuel was peeping on her and she called him in, her lips wrapping around his cock to inhale his rod before he throated her. The two engaged in all sorts of oral contact before he plunged deep into her pussy and ass, the lady perhaps not on everyone’s top ten list of babes but easily giving more enthusiasm than you will find in most other performers to make up for it. She tossed his salad and some engaged him in a double anal (actually a “technical double anal since one of the cocks going into her was the large black dildo), her welcoming ass getting her off before his streams of ball batter plastered her face soundly.
Summary: Dirty Rotten Mother Fuckers 5 by director Chris Streams for Jules Jordan Video was a very solid set of five scenes starring ladies that looked great and/or provided some serious sexual skills in their trysts. For me though, the replay value and strokability earned a rating of Highly Recommended or better, each of the ladies providing a little something different along the way. In short then, Dirty Rotten Mother Fuckers 5 departed slightly from previous volumes in terms of how much footage was included but fans of the whole MILF craze should consider this a “must have” title for their collections, the title on par or better than the majority of such titles released to date of late.
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