Cast: Breanne Benson, Erik Everhard, Tessa Lane, Manuel Ferrara, Kayden Kross, James Deen, Callie Cobra, Rocco Reed
Length: 127:27 minutes
Date of Production: 11/29/2011
Extras: In terms of extras, the 8:14 minute long Behind the Scenes feature was the best for me. Shot by Jamall Jhonson and edited by Ryder, it showed off the cast during photoshoots, giving interviews, and mussing for the camera. The inclusion of a standard DVD will appease those who have yet to get a Blu-ray player but frankly, given the quality of upgrade and the current price of such devices, I doubt many reading this will be without one. There was also a photogallery and some trailers.
Audio/Video Quality: Time For Change was presented in a very appealing 1.78:1 widescreen as shot by director Robby D. for Digital Playground. The movie package included both the standard definition DVD as well as the Blu-ray disc, each looking good though the high definition version was a really nice upgrade. It was edited by Kurt Tortcher and looked decent, the production doing a good job of blending the feature elements with the sexual trysts again though they were really basic on both accounts this time. The 5.1 Surround audio was also clear in both versions of the movie, the difference less striking but the production sounded like the vocals, music, and ambient noises were all put together well enough, no one credited with this aspect of the movie as far as I could tell.
-- sponsored by --
Body of Review: Robby D. is the talented director at Digital Playground, his versatility in porn such that he has the ability to make the most with what he is given. His latest fuck flick sent for review is called Time For Change, a showcase title for Kayden Kross as a model looking for a change in her life. The story elements were written by Robby so they remained as basic as ever, just a vehicle for allowing the sexual trysts to take place. Kayden was as smoking hot as ever in terms of her looks, her appeal going beyond that for a great many of us fans, and the less graphic nature of the movie worked in its favor at times for the couples audience it was directed at. The back cover described the movie like this: “Kayden Kross is every man's dream girl. So, when the stunningly beautiful babe is left by her knuckle headed boyfriend, the super model goes supernova and lets her inhibitions run wild. Witness what happens when a hot girl goes hardcore. For Kayden, it's time for change.” Here’s a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Breanne Benson, a brunette with a nice ass and lean stomach, was up first as she teased Erik Everhard in a contemporary office setting. She was wearing a thong and black bra, his hands all over her as they discussed life with Manuel, her blue jean skirt easy enough to hike up. Some story elements interrupted (it could be argued that Manuel’s scene with Tessa, the next one, should be credited as the first scene but they broke them up a lot) but she was soon spreading her legs to allow him to gobble her gash enthusiastically. She responded a bit pornish (fake sounding moans) but her nipples grew erect and they pawed each other while kissing, her knob slobbing expertise making sure he was as hard as a diamond before they engaged in some active vaginal penetration positions. Breanne was an active rider and they seemed to appreciate one another as they banged on the bed, her vocals going over the top as he tapped into her so aggressively. That led to him tossing off a round of genetic juice all over her ass and the show continuing with others.
Scene Two: Tessa Lane, a healthy brunette with a decent body, was up next with Manuel Ferrara. The scene cut in and out around other plotted portions of the scene and the previously described scene, their mutual attraction relying more heavily on personal chemistry or lust from what I could tell. He spent some time worshipping her boobs orally as he undressed her, going down on her before she provided him with a blowjob. While he was too large to throat completely, she worked his pecker as deeply as she could, providing some hand to gland action to increase the levels of friction accordingly. They then began doing some active vaginal positions, Manuel fingering her ass a bit as she impaled herself on his cock. That proved too much for him to hold out and he launched his wad of population pudding all over her face as a result.
Scene Three: Kayden Kross, the blond beauty with pink highlights seen featured on the right side of the cover, was up next with James Deen. He portrayed a friend and she seemed melancholy, her hints of desire soon coming to the forefront of the discussion. They kissed on the bed as she leaned over him, her sleek dress unzipped to reveal her sexy bikini undies underneath as the making out led to her grinding against his jeans covered cock. He continued to orally work on her as his head slid between her legs, the edits revealing Kayden giving him a lot of body language and continued eye contact to enhance their connection together. Kayden appeared to relish the attention he gave her, no rushed sexual tryst this time as they built up increasing amounts of heat. Kayden then reciprocated rather well, her hands assisted hummer showing the kind of devotion one expects from such a world class piece of ass in playful action. From there, they fucked vaginally, Kayden acting as a relatively passive lay at first but looking great while doing so on the bed (and putting more effort into it as the scene developed). The ending nut of spunk came in the form of him plastering her lower abdomen, some post coital penetration included as part of their engagement.
Scene Four: Callie Cobra, another lean blond with a decent rack, was up next in the bedroom with Rocco Reed, her animal print skirt and neon pink top reminding me of the clothing a certain kind of professional tends to wear. She made the moves on him as he sat there clueless, some light kissing and caressing resulting in her lounging beside him as he removed her equally garish shoes and positioned himself to work her boobs orally. She gave him some head but focused almost all of her attention on the head itself, her dainty manner of holding the rod not helping him achieve much of an erection as far as I could see. The vaginal pounding from there was done in such a fashion that it was barely discernible if he was entering her at all, at least until some close up shots and the doggy position were shown. This modestly active riding included some minor taste testing, Rocco beating his meat until he gave her a small dose of splooge to her face.
Scene Five: Kayden Kross, up last in bed squirming around with Manuel Ferrara, sealed the outcome of the movie by acting much more sexually aggressive. Both of them came across as more into their work this time so while their previous scenes with others were not bad, they did not share the same degree of passion, her ass in the air as her cheeks were separated by her thong proving most inspiring. She gave a swell hand assisted hummer here, teasing him just enough to keep him on edge as she made eye contact but not too much to cause him to spill his ball batter. That led to him gobbling her gash and eating her fine ass, additional head provided by her before they started the vaginal penetration positions. They were all over each other and Kayden impaled herself on his rod earlier, kneeling when all was said and done to receive his spew all over her face as she looked up at him seductively.
Summary: Time For Change by director Robby D. for Digital Playground was a light feature production showcasing beautiful contract star Kayden Kross meriting a rating of Recommended or better, still amounting to a “must have” for the fans of Xcritic blogger Kayden. I’ve found some of the company’s lower budget features to be quite endearing of late and this certainly fit in with the concept, my appreciation for how Kayden was portrayed made it as strokable as it was fun to watch with my girlfriend. In short, Time For Change had some pleasing fuck for the buck, a storyline not too tightly packed to force paying close attention, and all the quality technical elements the crew provide on all their works so give it a look if you’re in the market for this kind of thing.
---- You can email me with questions at Houstondon @ hotmail.com if you have any constructive criticism of the review too. :) Also you can follow me on twitter @HoustonDon