Extras: There was a photogallery, six trailers, a cast list, and web access.
Audio/Video Quality: Single White Female was presented with anamorphic widescreen 1.78:1 ratio scenes as shot by director Erik Everhard for release by Jules Jordan Video. The lighting was varied this time, showing a lot of style Erik rarely includes in his movies. The editing by Brad Stark was good in most cases and the composition of the camera angles favored the ladies. The overall look of the show for me was favorable in terms of the technical aspects, the watermark not a big deal for me though omnipresent. The audio was presented in a 2.0 Dolby Digital English, the rare vocals clearly heard but standard for a gonzo offering in almost all cases. The limited music or ambient noises added in during post production did not add a lot to the production, falling into usual range of this type of show.
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Body of Review: Erik Everhard is alternately known in the porn world as a powerful performer and a gifted director, his directorial works for Jules Jordan Video often some of the most heated the company has to offer. His upcoming release is called Single White Female, a set of five female masturbation scenes drawn out with a lot of tease, but not a drop of genetic juice in sight as Erik stayed behind the camera this time. I had heard no buzz about the release at all and thought the solo works were in conjunction with the usual power pounding Erik gives the ladies, little realizing that this was fairly one dimensional with limited variation. Still, with babes like Nicole Aniston, Alexis Monroe, Anikka Albrite, Veronica Ricci, and Prinzzess (her name modified to include “Felicity Jade” for some unknown reason), I gathered it was worth a look even if I wanted a lot more. Here’s a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Prinzzess Felicity Jade, better known as lesbian-only “Prinzzess” (seen on the upper middle of the front cover), was up first as she set the stage for the show. She walked around in public wearing a black trench coat, teasing the camera while she felt herself up in sexy black lingerie. She was picked up by driver Chris Streams as she hitched a ride, the gal stripping and masturbating in his back seat. She was as physically attractive as ever and he did not provide her with any genetic juice, the cramped quarters of the seat hardly giving her enough room to flaunt her talents to the fullest (though she was quite flexible).
Scene Two: Anikka Albrite, the alluring blond babe featured on the upper left side of the front cover, was up next as she readied herself in the bathroom while wearing only a towel. She spoke on the phone and was soon admiring herself, her all natural body as impressive as ever too. She wore a skimpy blue dress but things did not work out for her plans, the frustrated lady stripping to rub one out on the couch in the familiar brick loft. Her blue satin panties looked hot on her but she kept those on while getting all juiced up, finally removing them to deploy a wand vibrator and other toys on her trimmed snatch until having a believable orgasm.
Scene Three: Alexis Monroe, the perky blond seen on the upper half of the front cover (between Prinzzess and Anikka), was up next fighting her alarm clock as her hands slowly caressed her ample curves. She applied a light touch and the background noise showed this was shot in the city (Erik’s loft I assume), tasting her juices as her hands roamed to her glistening pussy. She applied some lipstick and stood in front of the mirror to open her robe and continue the dynamic, changing into some red & white bikini undies to go to bed for her solo session to continue. She used a vibrator and licked it clean, the orgasm less realistic for me than the last scene.
Scene Four: Veronica Ricci, the redheaded hotty seen on the lower left hand corner of the front cover, was up next as she wore her white coat over her matching lingerie and stripper shoes in a dark home setting. The lingerie was very enhancing for her already sexy frame, the use of shadows quite extensive this time as she lightly rubbed herself and ran her fingers over her body. She then used a clear plastic or glass dildo to penetrate her pussy, the music coming out of nowhere rather than focus on her soft moans, the fingering continuing fairly well.
Scene Five: Nicole Aniston, the lean blond hotty featured on the right side of the front cover, was up last as she continued the general formula of getting into the home though in her case, the phone call pissed her off (she had plans). She went to the bathroom to unwind, removing her business outfit before ending up on the landing of the stairs where her perfect ass was in plain view as her thong rode up her crack. She went to the glass shower in the bathroom to finish removing her attire and diddle herself, a soapy bath with rose pedals floating in it soothing her skin as she worked it on relaxation (her ass in the water looked terrific). A metallic dildo helped her finish herself off, the louder moaning still well below the usual decibel level to make it seem more real.
Summary: Single White Female by director Erik Everhard for Jules Jordan Video left me wanting more and curious as to why things ended up as they did, my best guess being this was shot during the industry shutdown caused when a foolish performer caused this summer’s STD scandal involving syphilis. I mean, it was definitely strokable but Erik is not known for titles without heaping helpings of population pudding, spunk, splooge, and ball batter and the cover was not exactly clear on the premise of this one so I have to fall back on the limited replay value making this one worth a rating of Rent It unless you are a huge fan of the cast. Frankly, I’d rather see Erik tearing into them all over the place which greatly limited the worth of Single White Female for me though your mileage will certainly vary substantially if you are searching for this kind of thing.
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