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Look At Me

Studio: Vivid » Review by Don Houston » Review Date: 1/23/14

XCritic's Advice: Watch On Demand


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Look At Me (AKA: Look @ Me)

Vivid Entertainment

Genre: Vignette

-- sponsored by --

Directors: B. Skow, Shylar Cobi, and Lewis Socket


Cast: Lia Lor, Bill Bailey, AJ Bailey, Johnny Sins, Mallory Rae Murphy, Chris Johnson, McKenzee Miles, Holly Sampson, Jerry

Length: 134:53 minutes

Date of Production: 2014 (release date, some scenes likely from 2010)


Extras: There was spam and trailers, a photogallery, pop shot recap, and some usual Vivid extras but the extra most will appreciate was an unrelated bonus scene from Gritty lasting 17:45 minutes long between AJ Bailey and Nick Manning as described below.

Condoms: None

Audio/Video Quality: Look At Me was presented in anamorphic widescreen as shot by directors B. Skow, Shylar Cobi, and Lewis Socket for Vivid Entertainment. The camera work by Skow and Shylar was the best of the footage and Fletcher edited most of it as best he could, the unpolished look of Lewis’ material making me think he’s not the best choice to replace anyone in the director’s chair just yet. The lighting was plentiful and the ever present company watermark did not bother me much but in terms of overall visuals, this was mediocre at best. The aural qualities were fair enough, blending the vocals and limited amount of music well enough to satisfy. It was typically on the hollow side though and like the visual aspects of the scenes, it was pretty simple to determine who was in charge at any given moment because of it.


Body of Review: B. Skow, Shylar Cobi, and Lewis Socket are or have been directors for Vivid Entertainment over the years. Today, I was given the chance to review a title they each worked on called Look At Me, apparently some scenes shot some time ago and others brought in to flesh out the movie. The main emphasis here was on using women that had (allegedly) slept with professional athletes, the selection rounded out with some others to make for a modestly strokable fuck flick. The ladies included Lia Lor, AJ Bailey, Holly Sampson, McKenzee Miles, and Mallory Rae Murphy, the men including a multitude of second and third tier mopes of varying quality. The back cover described the movie like this: “Watch what happens when we take two super-hot Vivid girls, team them up with Tiger's ex-mistress, anal freak McKenzee Lee, let the actors start in POV, and B. Skow finish when the set gets rockin! It's a fuck fest you won't soon forget. Lia's boobs are dripping with sweat. AJ Bailey loves to tease. McKenzee Lee gets her ass filled with Bill Bailey and Holly Sampson shows what turns a golfer's cock to iron. Look at Me? You bet you will...” Here’s a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:


Scene One: Lia Lor, the cute blond in black bikini attire on the cover (second from the left), was up first asking director Lewis to “explore” her body a little, his hands roaming her youthful curves and shaven slit like a pervert until Bill Bailey took over. Lia knelt down and slobbed his knob, applying some hand to gland corkscrew action to enhance the moment before he briefly gobbled her gash. This led to various positions of vaginal penetration that were too passive for my tastes, her final position on top of him slowly starting to redeem her before the missionary showed her passive again. He bust a nut of population pudding on her chest and that was all she wrote, the baby batter left alone before it faded out.


Scene Two: AJ Bailey, the cute blond on the center of the front cover in a striped top, was up next with Johnny Sins as the formulaic process was followed. Her nipples were erect as she showed off her lithe body, her ass crack slowly teased out and her pussy played with, a small patch of pubes above it serving as an arrow to direct guys inward. She reclined in a chair to diddle herself when Johnny pulled out his pecker for her to suck, the ginger handling of his package and accessories done slowly as he became rock hard. She whispered sweet nothings about the cock and focused most of her oral on the head, a jarring edit moving to him vaginally porking her without any oral to warm her up. While he did go down on her afterwards, she already had a puffy pussy to suggest a lot was missing, the passive missionary and spooning positions leading to some taste testing and modestly active cowgirl before they continued until he unleashed his spunk all over her crotch.


Scene Three: Mallory Rae Murphy, the blond on the far right side of the front cover, was up next teasing in a motel room, leaving on her shoes as she showed off her lean body. She had a bald beaver and her solo moment was cut short for her need of cock, Chris Johnson stepping in for a POV hummer like the other men received while Mallory spouted off some dirty talk. The camera work left something to be desired here and her oral skills did not impress Chris much so he started throating her until she performed better, the gal actively riding his rod in several positions before he tossed off a wad of splooge all over her upper thigh and lower ass cheek that she tasted.


Scene Four: McKenzee Miles, an attractive bleach blond with implants, was up next as she paraded around in lingerie in a contemporary home setting, Bill Bailey serving as her “client” for the day. The tease was less formulaic and polished so it worked better to a degree, Bill fingering her juicy slit through the opening in her panties. She was shaven too and her big act this time was doing anal while the others did not, her modestly active vaginal riding looking better after the short hummer. She liked his turgid cock plowing her fertile fields in close up more than I did though, the emphasis on leaving most of his body out of the picture not a true POV and only serving to weaken their connection to each other. The anal was more than she could easily handle so most of his rod did not fit inside her, the gal taste testing it at times but his wealth of ball batter was launched all over her chest.


Scene Five: Holly Sampson, the thick blond bombshell on the far left side of the front cover, was up next with her own side story regarding celebrity sex exploits (golfer), as she teased Jerry. She was over the top regarding her sensitive nipples and implanted boobs, her pussy already wet and ready for some fun. She had some minimal pubes but not much, the gal fingering her own ass as she explained how dominant she was. Holly was no stranger to a cock in her mouth, the gal using her hand to keep from having to completely throat him in the POV hummer. She gave him more head before sitting on his face, actively riding his pecker in her pussy in several positions until he bust a nut of genetic juice to her mouth, Holly giving some post coital head though neither had any chemistry for the other.


Bonus Scene: Gritty: AJ Bailey, the attractive blond featured on the front cover, was up first as she got ready in front of a dark bathroom mirror, the confined space looking almost as if it belonged to a trendy club still under construction. She was wearing animal print bikini undies lined in fluffy red material, her baby blue eyes watching the camera cautiously. The initial tease of the scene lacked vocals in favor of some "alt-porn" styled music, the lighting also taking a cue from the now defunct genre so many critics loved to hate. AJ stripped, masturbated, used a dildo, and then ended up with Nick Manning, the couple pawing each other until he went down on her pussy. An abrupt edit later, she was slobbing his knob and he was just as vocal as she had been, her hand assisting her efforts as he played up his usual lame persona. AJ then rode in a usually active vaginal manner, some taste testing punctuating their tryst before she jerked out his genetic juice all over her crotch while Nick gave his usual "dropping loads" speech. AJ seemed very much into the moment here and the elevated heat was what I've come to expect of her even if their personal chemistry was shaky.

Summary: Look At Me by directors B. Skow, Shylar Cobi, and Lewis Socket for Vivid Entertainment was a mixed bag for me. While I adored watching AJ Bailey in particular, the others seemed to be passive riders all too often (a pet peeve) and the technical matters under Lewis seemed lacking too much to lend any replay value on his scenes so I rated it as a Rent It even if fans of the cast might want to upgrade that score according to their tastes. In short, Look At Me had a plethora of blond pussy and ass on hand to appreciate, the overall quality of the material as put together just seemed haphazard to me so check it out but do not expect a whole lot from a company that is arguably one of the best in the jizz biz.

You can email me with questions at Houstondon @ hotmail.com if you have any constructive criticism of the review too. :) Also you can follow me on twitter @HoustonDon

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