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White Witch

Studio: Wicked Pictures » Review by Don Houston » Review Date: 3/6/14

XCritic's Advice: Watch It Online


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White Witch

Wicked Pictures

Genre: Feature

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Director: Scott Allen

Cast: Skin Diamond, Nick Manning, Chanel Preston, James Deen, Bridgette B., Ryan Driller, Asphyxia Noir

Length: 127:15 minutes

Date of Production: 2013


Extras: There were trailers, a photogallery, a promotional reel, the usual spam, and a slipcover with double sided DVD cover but the three main extras were the three bonus scenes. The bonus scenes came from Sexpionage (Teal Conrad with James Deen lasting 21:38 minutes), Underworld Asphyxia Noir with Jessica Drake and Toni Ribas lasting 21:39 minutes), and Immortal Love (Chanel Preston with Mick Blue lasting 15:32 minutes).

Condoms: Yes

Audio/Video Quality: White Witch was presented in anamorphic widescreen as shot by director Scott Allen for Wicked Pictures. This is the first of Scott’s movies I’ve reviewed although I pushed for others to check out his Jessica Drake Sexpionage flick last voting cycle. The lighting and camera work were usually solid, often lending some atmosphere to the feature, and the editing by Scott was not bad at all either though the cast really was inconsistent in how they handled their respective parts (more on that later). There was no continuous company watermark on the screen at all times so many of you will appreciate that fact, the framing and art direction not bad either. The aural components of the movie were fairly well done too, the blending of vocals, music, and minimal ambient sounds about what I expect from the company these days. There was one piece of music I really liked but it was not credited so I can’t promote it but suffice it to say that the overall quality of the technical aspects of the movie were above average if sometimes too stylishly done.


Body of Review: Scott Allen is one of the latest directors at Wicked Pictures, joining the ranks of uber talents Brad Armstrong and Jonathan Morgan as the fresh blood some (wrongly) suggested the company needs. His second flick I’m aware of is called White Witch, a throwback detective noir type of movie with just a hint of mysticism tossed in for good measure. Wicked as a company is certainly no stranger to titles like this but I was curious how this new guy would combine elements such as Skin Diamond, Asphyxia Noir, Chanel Preston, and Bridgette B. to make a credible feature porno, most of them recognized for their gonzo talents more than anything else. The back of the box cover described the movie like this: “White Witch leads you through the sensuous, seedy underbelly of the City of Angels. Rourke, a private detective with a broken past is enlisted to locate a man. The wild goose chase begins with his sexy journalist bed-buddy who exchanges sex for a few leads. A significant lead is a promiscuous white witch who gives him a mysterious tea concoction that sends him into a series of flashbacks. The suspense is palpable, as bodies begin to pile up and the realization that a name and career change are not enough to shake the devil from his scent.” Here’s a brief look at the scenes by cast and action, noting that condoms were used for those still interested:


Scene One: Skin Diamond, an exotic hotty with an awesome ass, was up first slobbing the knob of Nick Manning, the abrasive man not seen by this reviewer in quite some time in porn. She was bent over into his lap slobbing his knob in the locker room, toying with the streamers as he held her hair to make it easier to throat his turgid pecker. She applied some hand to gland friction to enhance the moment and he reciprocated by gobbling her gash, the active vaginal penetration hard to make out due to the myriad of camera angles and lighting choices. They continued to fuck in the shower and she was grinding her hips into him as she rode his cock, her fleshy ass looking tasty as she banged her bald beaver down on his rod. They continued until he deposited his wealth of genetic juice all over her face, her makeup smeared from the tryst but the gal still looking most fuckable.


Scene Two: Chanel Preston, an increasingly thick white gal with a pretty face and smoking hot ass, was up next as she teased James Deen while he asked the usual questions, some friction between them starting when he didn’t like the answers to his questions. He sought his information the other way after that, the seedy exploitation music playing as he ate her snatch and jumped her on the bed, some kissing leading to more oral by both of them, her playful hummer soon getting him to pound her pussy once he had his condom on. She was so tight that he was busting a nut of population pudding all over her upper torso and face.


Scene Three: Bridgette B., a busty blonde, was up next as a street walker, her red panties and black top making her look sluttier than usual as she took Ryan Driller into the building. While Ryan had things to do, Bridgette was most persuasive, the gal kissing him by the elevator as their public display of affection became increasingly sexual. She was all over him and her juicy ass on full display as she knelt before him, the gal pulling out his cock to suck as her g-string rode up her ass. The teasing hummer led to them fucking in the office, from the standing doggy to a variety of permutations that increased the friction for both of them. She was insistent that he keep pounding away at her crotch, Ryan covering her body in little kisses to include her tits and crotch, her mouth included on the little excursion. They continued until he bust a nut of spunk all over her stomach and tits, Bridgette licking herself clean of the spew before the story continued.


Scene Four: Asphyxia Noir, the exotic gal featured on the front cover, was up next in lingerie as James Deen pawed her. She was wearing very high stripper shoes so she bent over to let him grope her ass, the rest of her body following in the jumpy montage of camera angles so displayed. He diddled her snatch and she blew him with enthusiasm, orally engulfing him before he bent over to rim in doggy. She liked it rough so he gave her some of that, scratching her back deep as she made all sorts of noises, the couple maintaining a steady beat as he boned her like he owned her. Her bald beaver took a beating from him to be sure, the amount of close up shots where his cock and her pussy were the only things in focus soon giving way to him blowing up a nut of splooge, pasting her torso from one end to the other as she tasted his semen and he came to a revelation of sorts.


Scene Five: Skin Diamond, in a heated flashback with James Deen in a cramped bathroom, showed even more intensity as she revived his flaccid rod from the dead with her oral skills, James reciprocating on her ass as she spread her cheeks for him and held his face in place. She then used her foot to give him a footjob, Skin rubbing herself as she let him into her asshole. James boned her backdoor slowly but surely, their steady rhythm getting her off as the pressure built within his balls. Before long this translated into him spewing forth a goodly sized load of ball batter all over her.

Summary: White Witch by director Scott Allen for Wicked Pictures shows that dreaded sophomore slump but only enough to put the director on notice that picking the right cast for a feature is extremely important. The technical aspects of the movie were well handled, perhaps not up to Morgan or Armstrong standards but certainly better than I find at many companies still attempting to make features. The acting and perhaps the script seemed most at fault here for making the feature elements stand out as needing a lot more polishing up, the sexual trysts starring exotic Asphyxia Noir, fleshy hotty Chanel Preston, lean fuck bunny Skin Diamond or even gonzo favorite Bridgette B. were strokable enough to merit a rating of at least Rent It though I admit to expecting more in many ways from a company as big as Wicked that has the resources to “do it right” almost every time. In short, White Witch was more entertaining as a series of sex scenes than as a coherent feature, the standardized extras and technical aspects holding up well even if the main part of the show could have been better. On a side note, I really liked the front cover’s picture of Asphyxia Noir, the picture giving her a unique look and potentially serving as a still she’d like to offer fans.

You can email me with questions at Houstondon @ hotmail.com if you have any constructive criticism of the review too. :) Also you can follow me on twitter @HoustonDon

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