Extras: There was a pop shot recap from the four scenes, a photogallery, some trailers, and a website as well as annoying spam between the scenes.
Audio/Video Quality: Miss Big Ass Brazil 12 was presented in anamorphic widescreen color as shot by director Ed Hunter for Third World Media. The fleshtones looked a little washed out in the scenes and the camera framing by camera operator/editor Juliano Mendazoli (hard to read font used in the ending credits), was not optimal but the basic settings did not distract from the look of the scenes as much as the company watermark on the lower left corner. Also annoying was how each scene would be followed by an interruption message of where to join the company website or buy their stuff, but the editing was modest most of the time, not abruptly cutting off any specific action in favor of another. The video bit rate was on the low side with weak resolution but otherwise, there was a lot of lighting and most of the ladies possessed the shape of body advertised. The aural components were a mixed bag too with the 2.0 Dolby Digital sound provided in 192 Kbps audio bit rate. They sounded like they were captured straight off the microphone attached to the camera and were hollow, echoes bouncing off the walls, but I could hear the ladies commenting in their native tongue and the music thankfully stopped quickly once the ladies began teasing.
Body of Review: Ed Hunter is well known as a director of fetish and ethnic porn over at Third World Media, the company often capturing the areas of porn that the “bigger” companies decide to pass on much of the time. I freely admit that I am not a regular reviewer of their works, typically getting to see some of their better movies when it comes time to vote in different award shows and the like. I know my friend George appreciates all their tranny titles and I would love to look over their back catalog for big ass works, hence my willingness to review Miss Big Ass Brazil 12 they just released. I was not familiar with the cast but a few of the ladies certainly caught my eye, particularly cover girl Angel Lima with her “plump and juicy” ass swallowing her bikini bottom. Here’s a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Angel Lima, the curvy blond bombshell featured on the front cover, was up first in a tight red dress covering her blue bikini undies as she playfully used a flogger on her ginormous ass while seated on the red couch. She had a pronounced tan line and a landing strip of pubic hair, her panties wedged deep inside her healthy ass crack before she plied them out, Enzo Ferraz jumping on the bed with her as the music ended. She rubbed one out and started slobbing his knob with some hand to gland friction, his soon turgid member responding as expected when she throated him. This led to a titty fuck and Enzo gobbling her gash, the ensuing bout of vaginal penetration positions proving her to be an active rider, the anal at the very end of the scene on the modest side as she took his load of semen into her mouth at the end, much of it launched over her head with him kissing and slapping her to taste his own spew.
Scene Two: Suzan Motta, a blond with an average body and goodly sized rump, was up next with Ed Junior, the gal starting her scene by peeling her minimal outfit to reveal a generous sized shaven pussy. She looked bored as she rubbed her snatch but Ed came in quickly and kissed her, moving down to eat her out briefly as she lifted her leg, the gal sucking the head of his penis before bending over the bath tub for him to vaginally pound. She moaned generic moans and he slapped her flanks, her brief bout of cowgirl showing her to be active but the noise from the outside was intrusive as fuck. They did some anal after trying to find a position that suited them both, Suzan diddling herself while avoiding looking at him most of the scene. It ended when he bust a nut of sperm onto her face as she clamped down her eyes, some post coital head and a bland expression on her face marring the ending.
Scene Three: Gaby Venturini, a leaner woman with an okay ass, was up next as she kissed Enzo Ferraz and teased for him, peeling off her white dress and bra before pulling down her panties wedged up her ass. Compared to the last ladies, she looked way too much like a man in the face but that seemed to work well for Enzo, his cock lighting up when she gave him a light blowjob, focusing mainly on the head as she gingerly held the base. He tasted her bald beaver and then boned it, the passive riding boring me at first until Gaby put some effort into the riding. The vaginal led to her using a purple vibrator on her pussy as he banged her in the ass, her passive nature coming back into play until the scene finished up with a facial she pushed out of her mouth (Enzo trying to imitate Lexington Steele’s old war cry while plastering her face).
Scene Four: Paola, a thicker brunette with a pretty face and smoking hot Brazilian curves, was up last with Enzo Ferraz, the gal peeling off her dress and lingerie to show she had the kind of advertised ass. She climbed into bed with him and her heart shaped ass stood out really well as they kissed, Paola unfastening his pants to start licking his penis like a lollipop and sucking it like she wanted to. His head lacked effort but he made up for it a bit by hammering into her pussy like he wanted to slap her cervix. She sported a small pubic patch and her boobs bounced around a bunch during the penetrative positions, her thick legs enhancing her fantastic ass substantially as she rode his member. Her intermittent oral between positions was nice and her anal showed more conviction than most of her peers, the gal giving some post coital head like she was into it before she swallowed his wad of fluids with a smile.
Summary: Miss Big Ass Brazil 12 by director Ed Hunter for Third World Media may not set any records for sales but Angel Lima and Paola looked hot as fuck, Gaby too manly and Suzan too mechanical in her performance. The technical values were marred by the inclusion of commercials into the movie itself (between scenes) and the camera work did not compensate for the placement of the overt company watermark placed on the lower left corner. The extras were modest too, along with the replay of half the scenes and strokability thereof so I rated Miss Big Ass Brazil 12 as a still respectable Rent It. I’d like to see more of Ed’s works during the year when I’m not rushed and watching scores of nominees for comparison purposes but I suspect he offers better handled productions than this one so feel free to check it out and make up your own mind.
---- You can email me with questions at Houstondon @ hotmail.com if you have any constructive criticism of the review too. :) Also you can follow me on twitter @HoustonDon