Cast: Callie Calypso, T. Stone, Jodi West, Tony De Sergio Non-sex roles: Payton Simmons, Jay West
Length: 106:17 minutes
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Date of Production: 2014
Extras: The second disc started with an outtakes reel lasting a whopping 2:19 minutes, Jay in a lot of them but some playful footage included albeit too little. There was then a photogallery and some trailers before three unrelated bonus scenes were included; Who Needs Boys Spring Break between Megan Matthews and Payton Simmons lasting 19:14 minutes), Family Secrets (between Payton Simmons and Justin Tyme lasting 14:26 minutes), and Teen Manipulations 2 between Rahyndee James and Levi Cash lasting 22:34 minutes).
Audio/Video Quality: Call Me Mother was presented in anamorphic widescreen as shot by director Harry Sparks for Forbidden Fruits Films. The cinematography was handled by Jay West and The Powell, the director himself editing the final product. There was a second version of the movie on the first disc as well, a letter boxed version labeled “Theatrical Version” but it was the same running time and appeared to have no other differences for those keeping track. There were several times when the lighting washed out the flesh tones or the framing of the shots did not optimize the screen space, most of the sexual trysts appearing to be captured by a single camera as some great shots were not incorporated into the final product. I liked the use of establishing shots provided in the movie, although they were few and far between, it lent an air of professionalism to the movie. The use of atmospheric angles during the feature/story portions of the movie were pretty good though, like many low budget horror flicks seen on late night cable to make the fairest comparison. The aural components used a 2.0 Dolby Digital English soundtrack that had the vocals clear enough to hear, some possible overdubs included, and ambient sounds like dogs barking in the background to make it sound more realistic. The score was not specifically credited but it was reminiscent of many teen scream type of horror/thriller movies, the angle the director seemed to be going for throughout the show.
Body of Review: Harry Sparks is a director that has not exactly been the most productive creative force since I first saw his works but his latest for Forbidden Fruits Films, a sexual thriller called Call Me Mother, is likely to interest more fans than usual given the structure of the flick. The movie used the company trademark incest angle as the basis for an erotic thriller where Callie Calypso’s new stepmother (played by Jodi West) gets clingy in a whole different manner as she removes obstacles preventing the two of them from staying together. Sexually, all the scenes relied on Jodi West or Callie Calypso (or both) a little too much for my liking but the feature elements added considerably more depth than usual for the company to make the movie the kind many appreciate more than lame vignettes. The back cover described the movie like this: "Jennifer (Callie Calypso) is like any normal 18-year-old high school senior. She lives at home with her father (Tony De Sergio), enjoys hanging out with her best friend Tracy (Payton Simmons), and loves her boyfriend Danny (T. Stone). But Jennifer's life abruptly changes when she becomes entangled in a passionate affair with Grace (Jodi West), her sexy new stepmother. Tensions rise when Jennifer has second thoughts and tries to end the relationship, but Grace refuses to let go." Here’s a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Callie Calypso, the young cutie featured on the left side of the front cover seated in a chair, was up first with T. Stone, the long haired guy sitting beside her holding hands. Their sexual tryst was already underway on the tan couch with her on top and his hands grabbing her perky little ass cheeks. She was vaginally riding him before some missionary and doggy moved to additional positions, the man pulling out to launch his load of semen all over her stomach and tits, no gash gobbling or knob slobbing observed.
Scene Two: Jodi West, the busty blond babe shown on the upper middle of the front cover, was up next in bed with Tony De Sergio, her orange tank top holding her puppies in and a matching g-string nestled deep inside her juicy ass. He was tired but she was on the prowl, her seductive mannerisms and light kisses slowly winning him over to join her for some vaginal and oral fun. They kissed and caressed each other, Jodi briefly blowing him before sliding onto his turgid pecker, mounting him for some active riding. She liked being on top and didn’t mind spreading herself for some doggy either, Callie listening in because they were so loud. The couple continued to kiss and he took her in missionary rapidly, pulling his cock out to drain his dragon on her crotch, her eye contact and enthusiasm enhancing the tryst.
Scene Three: Jodi West and Callie Calypso, after a playful montage of getting to know one another in the back yard (playing Frisbee and such), were soon out by the pool where Callie applied a lot of suntan lotion to her new step mother. By the time she massaged Jodi’s tasty boobs, the couple kissed and were all over each other as they moved to the kitchen. They gave each other a lot of head and peeled off their skimpy bikinis, a lot of kissing and cunnilingus included there and in the master bed. Callie gave as good as she got and fingered her new step mother, Jodi responding well to her energetic new partner, tasting the juices off her finger and the two tribbing before a 69 led them to eating each other at the same time until dad came home. There were other small bits to this as the movie unfolded but that was the main thrust of the scene, a brief solo exhibition by Payton not included as a scene.
Scene Four: Jodi West, up next in a motel room, continued her plot by seducing T. Stone, the man wearing jeans and a shirt that Jodi tore off really quickly. Callie had left to get her meds and Jodi came in wearing her black dress to start molesting him. Jodi kissed him and told him that she and Callie shared everything, soon dropping his drawers though he did not protest. She gingerly started blowing him with some hand to gland friction before a short titty fuck, more oral leading to her lifting her dress and rubbing her panty covered ass against his throbbing boner. Jodi also used whispered vocals to excite him, bending over to push back as he thrust inside her snatch, her ass cheeks rippling nicely before she pulled off the rest of her attire and assumed a doggy position in bed. They continued to fuck actively until his load was milked clean all over her body by his own hand, the story finishing up quickly after that (though keep watching the entire thing, if you catch my drift).
Summary: Call Me Mother by director Harry Sparks for Forbidden Fruits Films was a cut above the material I usually see from the company in terms of establishing the characters and their motivations to commit incest or near-incest (step relation sex) and my own appreciation for sexy blond Jodi West perhaps flavors my biases too much but I thought it was worth a rating of Recommended even if some of the casting could have been better and some of the situations handled more realistically. Callie Calypso was well cast as the carefree teenager in her experimental phase and Jodi West is one of the penultimate MILFs in the industry doing incest and step relation scenes, the technical aspects needing a lot more polishing up but otherwise, Call Me Mother was an interesting thriller with sexual overtones that compared well to the usual lightweight fare expected of the genre so check it out.
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