Cast: Sara Jay, Isiah Maxwell, Britney Amber, Alec Knight, Tia Cyrus, D. Snoop, Bailey “Dahlia Sky” Blue, Jack Vegas
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Non-sex role: Glenn King
Length: 190:46 minutes
Date of Production: 2014
Extras: The most amusing extra was a 4:10 minute long clip of extra footage derived from Glenn strapping a camera to his forehead and having some of the ladies bounce their asses and crotches at him, the music blaring and no vocal track but a nice set of visuals all the same. There was a cast list, trailers, filmographies, a pop shot recap, photogalleries, and website links with trailers.
Audio/Video Quality: Glenn King’s Maneaters 3 was presented in 1.78:1 anamorphic widescreen as shot by director Glenn King for distribution by Evil Angel. The camera angles tended to favor the female domination theme and most of the gals were looking their very best. The overall look of the scenes showed better lighting and technical values, a company watermark displayed on the lower right hand corner. This latest spinoff title from the “Femdom Ass Worship” series I enjoy so often was a nice change of pace thematically, the subtle differences apparent at times. Unlike Glenn’s tightly scripted and controlled series, this one allowed the performers to let loose a lot more, the resulting dynamic working better for me, a guy that likes variety in his porn, rather than just the narrow vision of Femdom releases to date. The audio was presented in Dolby Digital 2.0 stereo English but it varied in terms of clarity much like the video aspects of the production; the closer the camera was to the cast, the better the technical aspects were. There was no separation and the dynamic range was decidedly limited, the hollow nature of the vocals obvious from the beginning to end.
Body of Review: Glenn King is a fetish director releasing femdom movies via Evil Angel. His latest title making it to me is the recently released Glenn King’s Maneaters 3, a set of four scenes starring a cast of attractive ladies taking charge to get what they want, the scenarios less structured than the usual “FAW” or “FST” series that Glenn is in charge of. The women are still wild and needing sexual relief but they engage in more traditional forms of fucking and sucking even if they are demanding bitches on the prowl. The female cast was interesting with Sara Jay in the lead, Bailey “Dahlia Sky” Blue, Britney Amber, and perky little Tia Cyrus on hand to inspire fans interested in spank bank material. If you’re looking for a more traditional BDSM/Femdom flick, this series might not suit you but I appreciate Glenn thinking beyond stereotypes to realize that women don’t always want the rigid guidelines of your father’s porn to force them into a narrowly defined role, nor do all viewers want the same old stuff.
The company website described the movie like this: “Fetish director Glenn King loves to explore dominant females mean, sexy bitches with no inhibitions about taking whatever they want from the weaker sex. In Glenn King's Maneaters 3, four aggressive ladies demand pleasure, and if they have to overpower a pathetic man to fulfill their quest, no problem! Each scene begins with a solo, POV-style introduction from your horny mistress. Busty, big-assed bombshell Sara Jay wants black dick, so she gets Isiah Maxwell for an interracial session of fucking and foot play. Gorgeous blonde Britney Amber gets filled with stiff meat and takes a load on her chest. Petite, bratty young bitch Tia Cyrus bosses around black stud D Snoop, grinding her sweet, little ass in his face and fucking him until he spurts helplessly onto her back. Sultry, leather-clad domme Dahlia Sky makes slave Jack Vegas submit to face sitting and hard fucking; she allows him to bask in the aroma and taste of her sheer nylon-clad feet.” Here’s a brief look at the scenes by cast and action, noting that condoms were used for those still interested:
Scene One: Sara Jay, the wonderfully curvy porn veteran featured bent over on the center of the front cover, was up first with skinny black Isiah Maxwell, the director hooking them up. Sara started the scene by wearing a skin tight black outfit while giving orders to the camera in POV fashion, stripping down to show off her fleshy labia and ample boobs in a solo tease. This transitioned to Sara talking with the director on the black couch about what she likes sexually, the lucky guy getting an up close and personal look at her assets before handing her off to Isiah. Sara immediately started blowing him while maintaining solid eye contact, the man reciprocating by addressing her feet, gobbling her gash, and savoring her juicy ass after she applied some hand to gland friction on his turgid pecker. Sara then mounted his condom covered cock to actively ride it, calling all the shots as the meek man gave her what she wanted, her ample sample rippling in a pronounced manner to inspire fans. He gave her more head between positions, Sara spouting off with dirty talk the entire time and the guy adoring her ass as he rimmed her. His oral efforts to please her led to alternating between sitting on his face and impaling her pussy on his pecker, the gal giving more head before draining his dragon of semen, Isiah plastering her tits before she sent him packing. The company website described the scene like this: “Busty, big-assed bombshell Sara Jay wants some big black cock, so the dick-hungry slut gets director Glenn King to set her up with Isiah Maxwell for a session of uninhibited interracial fucking. Sara slurps on Isiah's throbbing pole and aggressively thrusts her huge, white ass in his face, demanding tongue service. Soon this voluptuous brunette is riding his hard shaft -- and dominating him with her sexy bare feet. Sara enjoys a messy splatter of cum on her massive titties.”
Scene Two: Britney Amber, the cute blond seen featured on the upper left hand corner of the front cover, was up next in a skimpy black mesh outfit, her solo clip showing she had a way with words and wanted some moper sex slave to service her as well. This was to include rimming her perfect pucker and she fingered her ass before an interview with the director where he made it clear that she could do anything she wanted with Alec Knight. Most of her work of late has been with Porno Dan so I suppose Alec could be considered a slight upgrade, the gal mounting his face on the bed to inch back and forth as he munched her snatch. Before long she pulled his pecker out of his pants for a 69 but went back to gyrating her hips on his face a few times, turning over so he could inhale her ass, Britney spreading her cheeks wide to grant him better access. She then wanted him to lick and suck her feet, teasing his cock with her crotch nearby before she actively pushed back to meet his thrusts in a wonderfully heated doggy penetrative position. This led to some equally appealing cowgirl variations, the gal sitting on his face some more and demanding he cater to her needs until she took his load of sperm all over her tits and some left in her mouth from the post coital head. The company website described the scene like this: “Buxom blonde Britney Amber is very demanding when it comes to getting her cunt filled with hard cock. This gorgeous slut gets director Glenn King to set her up with stud Alec Knight. In no time, Britney has pushed Alec onto the bed and is grinding her big, soft ass in his face. The busty bitch smothers him as she hungrily slurps his stiff prick; Britney has him worship her pretty bare feet, rides him and takes a load on her chest.”
Scene Three: Tia Cyrus, the tiny brunette waif showcased on the lower middle of the front cover, was up next to establish her tight little body in the POV tease session before she spent some time with the director on a large light brown couch for the interview. While tiny, she did have a sweet little ass and she made it clear that if he didn’t provide her with a suitable slave boy to service her feet and ass, he’d be filling the role so D. Snoop was introduced. Tia tossed him to the couch and dropped her attire so he could fulfill his role as she rubbed on his face, first with her pussy and then her feet and ass were targeted as she spewed a lot of dirty talk. Tia was a bit over the top in terms of the role playing but she was a fairly active vaginal rider and gave decent eye contact as she dominated him. It was a pretty basic scene over all and he nailed her until unleashing his seed on her lower back, Tia sending him away when she was done with him. The company website described the scene like this: “Bratty, young bitch Tia Cyrus is a gorgeous brunette spinner that won't take any crap from guys. This petite slut convinces director Glenn King to set her up with a black stud she can boss around, and before long the tiny temptress is grinding her sweet, little ass in D Snoop's face. Tia dominates his big cock with her pretty bare feet. Taking his thick shaft inside her juicy pussy, she rides Snoop until he helplessly spurts his load onto her back.”
Scene Four: Bailey “Dahlia Sky” Blue, the very attractive young lady featured on the lower left hand corner of the cover, was up last as she followed the formula of showing her heart shaped ass and other body parts off in a solo tease sequence before engaging the director verbally during a short interview in the makeshift dungeon. She described her experiences with both men and women in role playing and power plays, Glen assuring her that her needs would be fulfilled to her satisfaction by ass kissing Jack Vegas. Her cover outfit looked excellent on her and she left the director to caress her whimpering slave, tossing aside his hood to spread her legs for some oral to be provided her crotch and ass. As with the others, she gave up some fine dirty talk and he was submissive enough to fully appreciate her generously proportioned ass, the gal sitting on his face to grind in deeper as he continued doing everything she required of him. She then rewarded him with some head and making it clear she owned him, some foot fetish action included that seemed to excite him more than ever as he was ordered to rip her stockings and detail her feet orally. This led to the expected vaginal riding, Bailey active in plying her trade as she became increasingly heated and elevated the pace. Jack still had to take breaks to orally worship her feet, pussy, and ass between positions of penetrative sex, his protected pud plowing her until she ended it by demanding he give her his cum that was directed all over her ass, Jack called a freak and good little bitch by Bailey. The company website described the scene like this: “Dahlia Sky is a sultry, leather-clad domme that craves a submissive male to abuse. This all-natural bitch convinces director Glenn King to set her up with stud Jack Vegas for some face sitting and sexual control in her dungeon. Dahlia makes Jack worship her juicy pussy and smothers him with her plump ass; she rewards him by sucking his rock-hard dick and letting him bask in the aroma and taste of her sheer nylon-clad feet. Finally, Dahlia rides her slave's cock to climax.”
Click for Trailer; individual scene trailers linked to screen captures above
Summary: Glenn King’s Maneaters 3 by director Glenn King for Evil Angel was another solid entry in the series so I rated it as Recommended. The cast of ladies was appealing to me as well, curvy Sara Jay, sexy Bailey Blue, popular Britney Amber, and always cute Tia Cyrus on hand to inspire fans. In short then, Glenn King’s Maneaters 3 may not appeal to everyone who are slaves to doing things “the old way” but those who find BDSM and Femdom interesting EXCEPT for role rigidity may just find that Glenn has offered them something more interesting as a result so check it out.
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