Cast: Carter Cruise, Jessa Rhodes, Manuel Ferrara, London Keyes, Dana Vespoli, Dana DeArmond, Eric John, Chad Diamond, Wolf Hudson, Sovereign Syre, Steven St. Croix, Stoya
Length: 136:00 minutes
Date of Production: 2014/2015
Extras: The best extra was a short, 4:36 minute long Behind the Scenes feature, skimming over some of the scenes all too quickly. The other extras included trailers, filmographies, and few company website links.
Audio/Video Quality: Fluid 3 was presented in anamorphic widescreen as shot by director Dana Vespoli for Evil Angel. The visual elements showed some artistic touches but there was enough lighting and steady camera work to pull it all together nicely. The ladies looked good and the editing was rarely abrupt, Dana showing she has picked up more than a few tips in her quest to be taken seriously as a director. There was a company watermark on the lower right hand corner of the screen but it did not bother me nearly as much as it seems to bug some, just keep that in mind if this is an issue for you. The aural components of the show were basic and not overly distinctive but I could hear the cast going at it, whispering sexual comments toward one another and otherwise providing some ear candy worth listening to.
Body of Review: Dana Vespoli has become a creative force in porn, her movies for companies such as Evil Angel often serving a vastly different audience than the hordes of raincoaters that appreciate the works of the other directors there. Her latest flick as director for the company is called Fluid 3, Dana again providing some varied settings and playful twists to make the theme work. This time, she mixed it up really well by using ladies such as Best New Starlet Carter Cruise, Jessa Rhodes, herself, and even former contract starlet Stoya in her first major role in a long time other than Voracious 2. The four scenes were fun too, including guys like Manuel Ferrara and Steven St. Croix to increase the strength of the male contingent too, Dana’s wickedly devious and creative imagination firing on all cylinders here to stand out from the pack of generic copycats out there.
The company website described the movie like this: “Stylish director/beautiful performer Dana Vespoli presents a variety of liquid fetish in the ambitious, visually sumptuous 'Fluid Volume 3.' Smokin' hot, natural-breasted blondes Carter Cruise and Jessa Rhodes romp and splash in an inflatable pool. Then it's a threesome of slobber, spanking, choking, rim jobs and rough fucking with stud Manuel Ferrara (in cartoonish rapper gear). The director and brunette beauty Dana DeArmond don strap-ons and join three studs surrounding American Asian cutie London Keyes for a rough circle-suck. London's head is repeatedly dunked in a tub as an underwater cam shows her face plunging in! The pricks plaster London's face with thick sheets of spunk. Curvy Sovereign Syre and veteran stud Steven St. Croix play out a tense power exchange scenario; the curious girl succumbs to the dominant fucker for fearsome breath control and sex in a running shower and full bathtub. Gorgeous underwater shots show Ms. Vespoli and pretty, pale Stoya making love in a pool. Out of the water they share cunnilingus and flavorful pussy-to-mouth kisses. The movie pays tribute to iconic cinema; two scenes start with theatrical, costumed dance intros.” Here’s a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:
Scene One: Carter Cruise, a pretty blond with brilliant eyes, and booty babe Jessa Rhodes, were up in a scene where the ladies played in a small inflatable swimming pool after dancing around in metallic silver shorts riding up their ass cracks, red bras covering their boobs and silly animal hats adorning their heads as Manuel Ferrara, made to look like a rap pimp wannabe, watched them. The clothing slide off as the ladies had a mock fight in the pool, a lot of kissing and pawing warming them up to drink his booze and make out. They slapped ass and peeled off clothing, Carter’s hairy snatch exciting Jessa who gobbled the gash, her own nearly bald beaver getting ample oral from her blond buddy after they double teamed Manuel’s turgid rod. The knob slobbing fun showed a great deal of energy and enthusiasm, Carter serving as his cock socket first as Jessa tried to surpass her skills by nuzzling his nuts and applying hand to gland friction before sitting on his face as Carter went back to blowing him. Both ladies actively rode his pecker, some salad tossing and foot fetish action expanding the scope of the genres this scene touched upon. Jessa liked Manuel tapping her ass most of all, Carter positioned to lick his shaft tearing into her friend regardless of which hole he penetrated. By the end of the scene, the gals drained his dragon of semen and knelt to accept his liquid offering, Manuel plastering their waiting faces as Carter blew him again and both ladies licked the goo off their faces in sloppy fashion. The company website described the scene like this: “Smokin' hot, natural-breasted blondes Carter Cruise (pierced tongue, furry pussy) and Jessa Rhodes (lush BJ lips) romp and splash in an inflatable pool, kissing, fingering, slapping, sucking nipples and spitting in mouths ... as stud Manuel Ferrara watches in cartoonish rapper gear! Then it's a threesome of slobber, spanking, choking, hair pulling and rough fucking! The horny trio first trades gagging oral favors -- Carter loves licking Manuel's asshole and each girl sits on his face as the other rides his fat prick. Jessa's pretty ass snaps as she fucks. As Manuel slam-fucks her, Carter sucks masturbating Jessa's toes. The stud blasts both faces with jism jet streams, and the girls trade sloppy cum/spit kisses.”
Scene Two: London Keyes, Dana Vespoli, Dana DeArmond, Eric John, Chad Diamond, and Wolf Hudson were up next in a very silly but amusing scene that began with most of them engaging in a musical number, London joining them as the main target for the team to face fuck. The two ladies wore strap on dildos and the men were already sporting chubbies as they surrounded her once the music stopped, London aggressively and sloppily blowing each of them with her mouth as well as jerking them off. Every once in awhile, Dana would assist her but this was London’s show for the most part, some breath play and dunking of her head in a container of water fulfilling the titular fluid part of the action. The team mostly wore masks and suits, the ladies in similar schoolgirl attire though London was in a white kimono, the gal rubbing their cocks together as she tried to stuff more than one in her mouth at a time. They completely glazed her face with the sperm she milked from their balls, London’s head dunked again to clean her off. The company website described the scene like this: “Five fuckers in black suits, ties and masks make 'Kill Bill' look tame: Brunette beauties Dana Vespoli and Dana DeArmond sport strap-on dongs; studs Wolf Hudson, Chad Diamond and Eric John carry Samurai swords. They surround American Asian beauty London Keyes (in white kimono) for a rough, waterlogged circle-suck. Cocks, hands and spit slap London's face as she blows. In schoolgirl skirt and knee socks, Ms. DeArmond spews filthy talk and rough physical treatment. Between oral cock stabs, London's head is repeatedly dunked in a tub of water as an underwater cam shows her face plunging in! The swordsmen trace their weapons over her flesh. Pricks encircling London's head plaster her face with thick sheets of spunk, which Dana D. tastes on London's face.”
Scene Three: Sovereign Syre, portraying a reporter interviewing a notorious jerk played by Steven St. Croix, was up next in a take off of the 50 Shades phenomenon, his claim being that all the ladies he abused participated in his BDSM lifestyle of their own free will. She was dressed plainly and lacked much makeup, sitting on the green couch with him as they bantered back and forth. He seemed more polished in his portrayal but she appeared to be trying to convey the inquisitive but interested student. They went “off record” where she became more frank with him and the next thing the viewer saw was her blindfolded and trussed up with her arms bound behind her back. This was in the bathroom and he explored her body with varying degrees of pain, adding some pleasure from time to time to sweeten the deal. As they progressed, he added a few increasingly rough acts to the scene, leaving red welts on her and teasing her with his raging boner as she slobbed his knob aggressively, the gal sitting on a bidet as she worked him over orally. He then vaginally fucked her while she was bent over the bath tub edge, Steven dunking her head at times before she later throated him to the bone. This continued until he jerked out a sizable load of manly fluids all over her face, a stunned look in her eyes looking convincing before a brief interlude had the director asking her if she agreed to everything. The company website described the scene like this: “In leather jacket and glasses, her plump lips painted red, Sovereign Syre is a curious journalist interviewing a celebrity (Steven St. Croix) acquitted of abusing multiple women. He claims it was all consensual; she succumbs to her fears and his power. The creepy star blindfolds Sovereign, tears her dress off and applies clothespins to her tongue and nipples. He fucks her mouth, controls her breath with a belt around her throat and dunks her head in the bathtub. She deep-throats his cock under a running shower. Back in the tub he porks her dominantly, and with rope around her neck and a towel shrouding her face, he nails her into the bathroom floor. Menacing Steven cums thickly on her skin and howls into her speculum-spread cunt, leading to a killer ending.”
Scene Four: Stoya, the cute brunette featured on the front cover, was up last with Dana Vespoli, the director made up to look like a female version of “Edward Scissorhands” with a lot of underwater pool play as the ladies became better acquainted. The saxophone inspired music was definitely different, Stoya’s character saving Dana’s from the water before they were back in the familiar porn house embraced in each other’s arms lightly caressing each other. The touches led to kissing and the savoring of each other orally, some titty play and rug munching included as well as ass eating and manual stimulation via fingers and hands in the lesbian tryst. It was basic but heated, Dana’s tanned body contrasting nicely with Stoya’s pale skin, some foot fetish and minor variations making it memorable. The company website described the scene like this: “Encased from neck to toe in skin-tight black latex, beautiful Dana Vespoli moves robotically. Pretty, ghostly pale brunette Stoya strips out of a latex dress and poses seductively for Dana, displaying a natural body, hairy armpits and furry bush. We see breathtaking underwater shots of Dana and Stoya swimming and making love in a pool. Out of water, the naked beauties caress and make out silently, passionately. Stoya eats Dana's pussy and perches over her face, gasping from Dana's probing cunnilingus. They share flavorful, fragrant pussy-to-mouth French kisses. Each sucks the other's toes, there's mutual fingering and Dana tongues Stoya's butthole. The cinematic scene climaxes with wet spit-kissing.”
Click for Trailer; individualized scene trailers linked to screen captures above
Summary: Fluid 3 by director Dana Vespoli for Evil Angel was strikingly inventive and fun in the scenes, Carter Cruise & Jessa Rhodes smoking hot in the opening scene with Manuel Ferrara, Dana and Stoya showing that lesbian scenes can be very heated with the right kind of chemistry, Sovereign Syre and Stephen St. Croix providing some intensity in a role playing scenario, and then the London Keyes scene starring a great many folks ready to glaze her lovely face like a donut all combined to merit a solid rating of Recommended. In short, Fluid 3 should appeal to the fetish crowds a bit more than usual but also a broader, more general audience due to the inclusion of multi-award winning Carter Cruise still hitting her stride from scores of awards and the use of former contract star Stoya coming out of hiding but while those scenes will hook the most in, people are going to stay for the intensity of Sovereign Syre’s tryst with St. Croix and likely find a lot to like with London Keyes getting worked over by both sexes so readily so check this one out and see why Dana Vespoli is so popular on both sides of the camera.
---- You can email me with questions at Houstondon @ hotmail.com if you have any constructive criticism of the review too. :) Also you can follow me on twitter @HoustonDon