Michelle Wild is a tall, beautiful woman. Her long legs and natural breasts are to die for and when she slips from her nightgown and into a bubble bath, I wished the scene stayed there. Instead we go into a 'flashback' and into what is only the begining of what becomes a hum drum film. The scene begins with the sexy Michelle Wild kissing Mandy Bright. Mandy is a decent looking older woman. Her brown hair is pulled back in a tight bun and her outfit is a drab beige. Neither of which is very exciting. Mandy has an annoying tendency to stare into the camera. It is not the sultry, erotic stare that can be hot, but more like the aggresive act of a camera hog. This ruined much of the film for me. And as it later turns out, many of the actors acknowledge the camera in a manner that implies a need for attention. The sex begins with the memory of a threesome. Michelle and Mandy swap spit with each other while a blonde dude licks Michelle's neatly trimmed pussy. Strong bursts of intense light (an annoying special effect) transition us from one shot to the next. So we are given a multitude of varying angles with no real focus. When the scene turns to the blowjob sequence Mandy's attention to the the guy's shaft is pretty thorough. She likes to deep throat it, and make it very messy, leaving long, thick trails of spit on his dick. After some quick poking at Michelle's pink pussy, Mandy jumps on the guy for reverse cowgirl anal. Fairly clean with some nice shots, but the the act, like much of the scene is riddled with the blinding light proceeding each edit and an overwhelming number of face closeups. The scene's final act is the best. As the guy pounds Michelle in doggy, Mandy lies beneath bush and catches the cum on her tongue as it slips down Michelle's pussy.

Scene two comes from the madame's memory of the day she stumbled across a handsome, young chef in an isolated villa. Michelle is wandering, naked except for white stockings and diamond necklace, when she finds the man and expresses her interest in him by showing her oral skills on a banana she pulls from a fruit platter. As she does this, the chef's attention hightens and Michelle climbs on top of him in reverse cowgirl. Michelle looks amazing in this position and as she bounces up and down she moans with pleasure (although nearly drowned out by the horrible, techno-like music). But again, Michelle is overly aware of the camera, staring constantly into it. And the film went between slow motion and standard rate, jolting my vibe of the scene. Like the first scene the cuts are followed by flashes of light, although there are fewer here and at a weaker intensity. Again the best act came at the end with the cumshot. As Michelle lies on her back, the young stallion hovers his crotch over her face and does a push-up routine into her mouth, eventually cumming onto her tongue. A stonger scene than the last only becuase it was slightly more coherent and less choppy.

A sexy brunette with bright red eyeliner crashes a lawn party where guests are wearing party masks. The brunette is dressed in a tight, leather outfit and brandishing a whip. When she arrives, she makes one of the party's servants lick her boots, signalling to the other guests her intentions. She then moves from guest to guest spreading her perverse influences until the group turns into an orgy. Nothing extraordinary happens here. Group scenes are difficult to convey with description, and--I imagine--they are difficult to film. This one is a mess. There is nothing to give it any structure. Because the camera work of the film is unconventional--and practically unwatchable--with its varying speeds, flashing in and out of shots--and now the use of blurring and monochromatic tinting--things only grow worse. The action of the actors is good, if one has patience enough to weed through the drek to find it. And there are a number of good acts that could have been enjoyable if the film wasn't so experimental and artsy fartsy. All the guys pop their loads onto the faces of the masked women which is a nice touch, but by no means one that salvages the scene.

Three gorgeous women are working out in the villa's small gym--in their underear no less. They take a break from their excercises when one of the girls pulls out a double-ended purple dildo. This gets them excited and they take turns petting each other's breasts and tonguing their purple friend. These three ladies are gorgeous with perfect bodies and nice, beautiful faces. It's too bad that I can't see them for 50% of the time, as they too are clouded by the special effects plaguing the film. After some mild foreplay the girls move to oral and then a little double action with dildo. The girls are so hot that this might have been the best scene of the film and perhaps a contendor for the the best lesbian threesome of the year. But again it was near impossible to watch, much less something to get excited over.

The final scene of the film (hang in there it's almost over) finds Michelle dressed in black lingerie and a pink feather boa. She squirms around on the hard, marble floor of a large sitting room, when a tall, suited man stumbles upon her. As she leans over, the man climbs under her and begins to eat her pussy, sucking really hard and pulling with his teeth a long strand of pearls from her vagina. This scene is a bit more tolerable. Although the effects and abnoxious music are present, there is far less. The couple do the 69 routine, orally pleasing one another. They then move on to a handful of changeups and some decent action. I liked this scene the best--which is far from a compliment--yet despite the minimal use of visual effects, there was the constant gazing into the camera by the actress, which for reasons already mentioned, conveyed the feeling that the actors were simply full of themselves.