Brown Eyed Blondes

VCA Pictures

Genre: Feature

Director: Jim Holliday

Cast: Nikita, Alec Metro, PJ Sparxx, Danielle Rogers, Shayla LaVeaux, Timber, Steve Hatcher, Randy Spears, Colt Steele, Jill Kelly, Felecia, Herschel Savage, Eric Price, Teri Starr, Wynona Winter, Kelsey Heart
Non-sex roles: Eddie Bertrand, Jim Holliday, Judy Moon, Root Loggins, Hellcat, The Big Kahuna, Clay Hyde, Eddy C. Laytos, Joe Cool, Mattman, Stick, The Swede, Gus Jones, Jeff Steel, Buck Naked, Bob Kelly, Richie Rich, Mike Paul, Bobby Soxx, Heavy Equipment, Myles Long, Shadow, Parts, Bob Neuwave, Iron Man, OO, Naked Bob, Dominic Chavira, Little Dick, Edgar Marsalla, Rance, Terry, Tim, Glenn, John, Ray, Hugo, Lopez

Length: 134 minutes

Date of Production: 7/1998

Extra's: The best extras were the three bonus scenes from Car Wash Angels along with the short introduction by Jim Holliday. He pointed out some cute bits about the movie (and tossed some barbs at a few people, taking a bow for starting a new genre). There were three trailers, a photogallery, some cast links to scenes by particular ladies, and there was also a short clip by director Jim Holliday lasting about 2.5 minutes discussing the movie's highlights.

Condoms: Yes

Audio/Video Quality: Brown Eyed Blondes was presented in the originally filmed 1.33:1 ratio full frame color as shot by director Jim Holliday for VCA Pictures back in 1998. The picture was blurry a few times, always relying on a sense of raw energy rather than pure technical expertise, and had a wonderfully diverse cast as seen on the back of the DVD cover. The fleshtones were accurate though occasionally out of focus but fans of classic porn understand the limitations of the genre at least as well as I do so take the rating with a grain of salt. This was another one of the early Holliday flicks that made great strides to cleaning up the picture and camerawork substantially and should be recognized as such. The audio was presented in the usual Dolby Digital stereo English but the vocals appeared to be looped in a few cases, the dialogue slightly wooden at times, and it sounded hollow less frequently than previous volumes in the series. The music was trademark Jim Holliday style as provided by Scott Reno & the Vancouver's and his later group, Reno & the Rumrunners (featuring Scott Reno, Reno Scott, Ed Monton, Cal Gary, and Eddy C. Layton on additional drums). The music was all original and actually fit in the action, with the lyrics working better than average for the action; the kind of breezy and fun stuff I always liked about Jim's later efforts. This movie also had a short appearance by the legendary surf music sensation Eddie Bertrand who offered up a song sounding suspiciously like one of his hits (altered just enough to keep VCA Pictures out of court).

Body of Review: Jim Holliday always made it a point to wear his heart on his sleeve when it came to making his movies, a course that later led him into bickering with the powers that be controlling VCA Pictures when budgets got tight. Still, his use of far more ladies in his movies then contemporaries in the field earned him a place of endearment despite his stubborn ways. As he was polishing up his formula that later led to multiple movies shot at the same time, he made Brown Eyed Blondes a tribute to surfer musicians everywhere, especially those who got fucked in the ass by record company executives, even bringing in the legendary Eddie Bertrand to play in the movie (a man who had been cheated out of his royalties according to Jim). These days, a lot of people act like mainstream musicians contributing audio tracks to porn is something brand new, though it was done in the 80's as well (Night Dreams for example). The movie was another fluff piece about a gal band on the verge of making it big, tossing in lots of nasty anal sex at a time when one of the early industry AIDS scares was causing lots of issues for production companies and performers alike. That said, here's a brief glimpse into the movie's scenes by cast and actions, noting that condoms were used in copious amounts:

Scene One: Sex, Ya?: Nikita, the Russian contract star of VCA back when this was made (and featured gal on the left hand side of the front cover), started off the movie by aggressively slobbing the knob of Alec Metro, who in return gave her some oral loving on the bed. They screwed anally with a condom (keep in mind that there had been a big AIDS attack just prior to this and the more responsible companies wisely played it safe) and her all natural titties bounced around as she took the pounding. Like most of the scenes, it was short and sweet with the lean, runway model hotty looking great.

Scene Two: Surf Slits: Nikita, PJ Sparxx, Danielle Rogers, and Shayla LaVeaux, were up next in a lesbian tryst that showed each of them displaying a solid bit of lesbian loving. It was mostly oral and fingering with a lot of attention to the rimjobs the director loved to showcase. Fans of foot fetish material will be pleased to note that there was some toes being sucked as well but that wasn't a major aspect of the movie.

Scene Three: Rod Duster: Timber, a lean little blonde with a leaning for oral loving, was up next with Steve Hatcher after some of the ladies put on a short tease sequence. She blew him and showed some skill with putting on a condom, letting him play with her as she worked him over. They screwed vaginally and anally, her riding him fairly actively in the trailer with her lace up pants not lasting all that long when he wanted to gain oral access to her tight little cookie. After several positions, he proved why condoms made little sense by rubbing out a load onto her asshole and pussy.

Scene Four: 3rd Input: Danielle Rogers, playing a twangy country western singer with a MILF appeal to her, decided to get some loving from radio DJ Randy Spears in the make shift radio station. He took advantage of the time a song was playing to get her off orally, resulting in her blowing him with all her years of experience showing; leading to a powerful pussy packing pounding on his part. They also did anal and I saw why Jim picked her up for the scene. It also ended with a pop shot to her ass crack.

Scene Five: Splash Fountain: Shayla LaVeaux, in need of some dick this time (seen on the right hand side of the front DVD cover), took care of muscular Colt Steele after the ladies had a short outdoor meeting with Felecia in charge. Shayla paired off with him in her effort to be a "lightning bug" and he disrobed her by the outdoor fountain to eat her out. That didn't last long when she got a hankering to blow him, an act he seemed to enjoy as much as anyone ever did, leading to them screwing actively. She also did anal here, displaying an aptitude for taking it in the back door that few gals had back then. He also ended it by popping on her lovely ass.

Scene Six: Slit Surfing: Jill Kelly, the hotty in the red bikini on the front cover, and world renowned lesbian Felecia, were up next in a lesbian scene on a bed. The two showed a lot of flair as they eat and played with one another, Jill being more sexually ambidextrous of course but Felecia one of the true lesbian queens of porn for years. There was a lot of rimming here and the dirty talk enhanced the heat of the scene a lot. They pulled out the toys to complete the fun. Whew!

Scene Seven: Hot & Hard: PJ Sparxx, still looking hot in the outdoor sun, was up with old man Herschel Savage in the next scene after she told him that she didn't want any lovey dovey kissing crap. He ate her and she blew him, spotted dick and all, leading to them having a quick little poke on the blanket. She appeared to be sexually in charge for most of the scene, coaxing him on with her moaning and groaning. It ended when he popped on her chest.

Scene Eight: Prying Games: Jill Kelly, in a short little dress, lifted up her skirt to masturbate for flamer Eric Price, who was dressed in drag. He couldn't maintain his character since he needed to taste that fine little pussy of hers, getting a taste of her ass too. She did some oral on him as well and the couple screwed with some chemistry that always seemed to accompany them in their scenes together (they were a couple in real life for awhile). The blowjob was fine and he seemed to know a lot about anal sex (giving it this time) as she diddled herself silly. It ended when he popped in her waiting mouth.

Scene Nine: Free Willie: Teri Starr and Wynona Winter were up next as both gave good old radio DJ Randy Spears a hummer and handjob. This was a short piece of work but also showed that the director wasn't afraid to mix things up a bit, few contemporary directors willing to do this very often (at least as successfully; including Brad Armstrong, Robby D. and a few others).

Scene Ten: Woody-Stock: Teri Starr and Wynona Winter, having warmed up on cock, were next up as they did each other on the floor. The use of a toy in the ass seemed a bit premature but the music showed a lot of separation during this part (the drums distinctly coming out of the left hand speaker). They didn't lick as much this time, concentrating on the toys but it was a cute little scene to enjoy these two hotties getting off with.

Scene Eleven: Ridin' Roadie: Kelsey Heart, Nikita, and Steve Hatcher, were up last in the dressing room as Kelsey wanted to show her gratitude to Nikita for voting her into the band as a full fledged member. They were on the couch and warming up when Steve joined them, focusing most of his efforts on Nikita. After the oral by all concerned, they screwed anally with Nikita once again proving her worth as a contract starlet. The scene finished up with a small titty pop for those who care.

Summary: Brown Eyed Blondes was a fun Jim Holliday flick for VCA Pictures that had some really solid extras and a couple of director interviews that really added something special to the mix (hearing Jim in his own words what he was doing and why rather than relying on the press who often screw such things up). In that sense, Brown Eyed Blondes was easy to rate as Recommended for all the fuck for the buck, the extras, the wonderfully attractive cast, and the high end technical values that surpass a lot of titles made even recently. It wasn't Jim's highest profile flick but it was a definite winner as it used the basic tenants of his still in the works formula that proved so popular in the months after this one came out.