The Doll House 6

Zero Tolerance

Genre: Gonzo

Director: Mick Blue

Cast: Monique Alexander, James Deen, Aletta Ocean, Mick Blue, Bridgette B., Pat Myne, Kagney Linn Karter, Alexis Texas, Scott Nails, Aliz, Toni Ribas

Length: 145:02 minutes

Monique Alexander

Date of Production: 2009

Extras: The best extra was the 4:54 minute long Behind the Scenes feature where Mick talked with people like Monique and James, the others getting less time before it ended. There was then a photogallery and pop shot recap from the scenes, the box containing a true double sided cover and slip case but no strip tease extra as listed on the back cover.

Condoms: None

Aletta Ocean

Audio/Video Quality: The Doll House 6 was presented in a visually appealing anamorphic widescreen color using an aspect ratio of 1.78:1 as shot by director Mick Blue for Zero Tolerance using the MPEG-2 codec employed by standard definition releases with a 480i resolution. The lighting was strong, eliminating the shadows and grain like most of Mick's works in the past, but there was a deliberate soft focus at work here, one I can't say I cared much for, yet again. The grain was minimal but the video noise more pronounced (especially on the fishnets) and I got the impression that Mick spent some time to use the camera angles to enhance the looks of the nicely made up ladies. The bitrate tended to hover around the mid 4.3 Mbps area most of the time I paid any attention to it, the opening tease sessions looking like they were much lower resolution and frame rate for some reason. The composition of the scenes enhanced the look of the ladies, each of them used to softer lighting in recent scenes, but that soft focus approach did not help the production look at top notch as some of Mick's peer, Mike Quasars', productions look of late. The sole audio track was presented in 1.0 Dolby Digital English using the standard 224 Kbps rate using a 48 kHz sampling rate most titles are mastered with, the aural experience fairly limited due to the nature of the gonzo shoot. There was also no separation between the channels and the dynamic range was as truncated as ever, standard gonzo audio being okay for most consumers.

Bridgette B.

Body of Review: Mick Blue is one of the secondary performer/directors at Zero Tolerance but his love of women and keen eye help keep his porn pretty warm most of the time. His latest release is called The Doll House 6, the sequel to Doll House 5; the series itself known for providing some of the hottest ladies in porn. This time, Kagney Linn Karter, Alexis Texas, and Monique Alexander were the focal points of the action, all of the women worthy of your time, energy, and genetic juice. The back cover described the production like this: "The Dolls are back in the House and they're homier than ever! The critically-acclaimed Doll House series continues as our anatomically-perfect collection of dick-loving dolls deliver more fantastic fucking action! Sure, they're pretty as dolls but they're also nastier than any sluts you've ever seen. Asses get crammed, dicks get jammed, balls get sucked and pussies get fucked in this non-stop fantasy-driven fuck-fest! The beauty of it all? You get to play house with our dolls and never have to worry about paying alimony!" Here's a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:

Kagney Linn Karter and Alexis Texas

Scene One: Monique Alexander, the former contract starlet, was up first as she teased in standard issue black lingerie with her thong creeping up her ass. I have always liked Monique and her recent gonzo work, while not up to par with what she did under the direction of Skow, has added enjoyment for me, making her choice to start the movie in a scene with James Deen, to be a wise one. They went at it in the bathroom too, Monique dropping to her knees to please once he warmed her up orally. She appeared to like the guy and it showed throughout the scene, her knob slobbing as solid as the active positions she engaged him in during the vaginal sex. The ending wad of genetic juice was really large too, dousing her face and upper torso as she continued to playfully blow him all over again with a smile.

Aliz

Scene Two: Aletta Ocean, a lean little brunette with huge implants way too big for her body, was up next as she teased in her purple and white lingerie, slowly stripping it away during her bump & grind before working with director Mick Blue himself. There appeared to be more rhythm to her moves, as if she were a polished stripper with lots of experience, soon blowing Mick in POV fashion before he handed the camera off to a friend. The vaginal plowing she took wasn't bad but the overacting bugged me more than a little bit, her energy levels wasted on fake results though it all culminated in a healthy facial jerked out by Mick (and she gave some post coital head as she looked up at him. This was definitely one of the weaker scenes in terms of projecting a sense of fun as far as I was concerned.

Scene Three: Bridgette B., a bleach blond wearing bra, panties, and garter with fishnet stockings, was up next in the house though her moves weren't as polished as the others. She smiled as the light poured in too heavily from the window, her strip act good enough that I'd drop some singles on her before a lap dance or three. She then paired off with Pat Myne, inhaling his pecker enthusiastically before he went down on her (to her delight). The oral by both of them then became a series of vaginal plowings where she showed a lot of potential as an active rider even if not always living up to it every time. Fans of roast beef labia will adore her a lot and her oral skills came into play at the end when she sucked his balls dry of population pudding, aggressively going all out to satisfy the man.

Scene Four: Kagney Linn Karter, the adorable hotty featured on the right side of the cover, and sexy bubble butt blond Alexis Texas, seen to her left beside her on the cover, were up next as they tore into each other and then Scott Nails. The club-like setting was different but their cover outfits looked hot and their polished moves showed why each of them won some acclaim from Xcritic this week, the lesbian pairing too short for my tastes. Both ladies are top of the line hotties though and they immediately went for his cock to suck as they shared his rod enthusiastically. The messy hummer aside, they worked his balls and shaft with plenty of vigor though it was the penetrative sex they were seemingly clamoring for the most. Scott took turns poking them and the ladies enjoyed a lot of taste testing from each other, marking the scene as one of the best of the lot for more than just looks alone. The ending batch of splooged was launched at Alexis' face, the gals cumswapping to the close of the day.

Scene Five: Aliz, a skinny brunette with a pretty face (indicative of the series as a whole) and slight features, was up last as she took Toni Ribas and Mick Blue into a more extreme act that included some fierce anal and a DP where the men really went at it. She teased well enough and then masturbated with a Hitachi (a large wand device), driven to suck cock when the men continued to apply it to her pussy. While over the top, she did appear to get off here, maybe even a couple of times at that, but she was never too busy to suck them off or actively ride their dicks until she, and they, were satisfied. Mick busted a nut on her face first with Toni following soon enough, Aliz looking kind of worn by the time they were done.

Summary: The Doll House 6 by director Mick Blue for Zero Tolerance earned a rating of Recommended and might have gone up a notch but for a couple of the performers needing to upgrading their act. In short then, The Doll House 6 was a lot like Doll House 5 in how it focused so much on attractive and popular ladies, Mick trying to capture them as best he could with the help of his crew. The show was fun to watch and had some tease footage worthy of checking out several times or so, fans of the ladies will definitely appreciate their antics more than a little given the strength most of them showed.